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THE DAY THE CRAYONS CAME HOME

This new cast of crayons will entertain readers, and admirers of the first book will be pleased to see a few familiar...

Duncan’s crayons are back in this comical sequel to The Day the Crayons Quit (2013), and this time they need to be rescued.

Maroon is broken and has been stuffed between the couch cushions, Turquoise got stuck to a sock in the dryer, and Orange and Yellow have melted together in the hot sun. Though a few crayons might have been more aptly placed in the first book—Pea Green has run away because no one likes peas or the color pea green—Daywalt and Jeffers still manage to treat readers to a new story. Mixed-media illustrations, done with crayons and photographic postcards, introduce lively new scenery and brilliant characters. Big Chunky Toddler Crayon is desperate to escape from Duncan’s baby brother; Neon Red is on a cross-country trip back to Duncan’s house after having been left behind on a family vacation; and Glow in the Dark needs rescuing from the sinister basement. Both Neon Red and Glow in the Dark are reproduced with astounding vibrancy, and readers who turn out the lights while viewing Glow in the Dark’s postcard are in for a real surprise. Fans of Jeffers will be charmed when they discover characters from his previous works hidden in the postcards’ stamps.

This new cast of crayons will entertain readers, and admirers of the first book will be pleased to see a few familiar colors. (Picture book. 3-7)

Pub Date: Sept. 18, 2015

ISBN: 978-0-3991-7275-5

Page Count: 48

Publisher: Philomel

Review Posted Online: June 28, 2015

Kirkus Reviews Issue: July 15, 2015

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CHICKA CHICKA TRICKA TREAT

From the Chicka Chicka Book series

A bit predictable but pleasantly illustrated.

Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.

Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”

A bit predictable but pleasantly illustrated. (Picture book. 3-7)

Pub Date: July 15, 2025

ISBN: 9781665954785

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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