A vivid, dramatic, and believable tale of a courageous and self-effacing war hero.
This historical novel features the true story of Gen. René Carmille, “the world’s first ethical hacker,” who saved thousands of French Jews from Hitler’s Final Solution.
Carmille is just one of the many historical figures in this World War II tale. The fictional protagonists are Miriam Meijer, a Dutch Jew, and her eventual lover and husband, Charles Delmand (aka Charles Secœur). Miriam is in Paris when her family perishes during the destruction of Rotterdam. Charles, who is with the Resistance, arranges a new identity—Miriam Dupré—and gets her a job at the Military Recruitment Service in Lyon. Her formidable talents lead to her working directly with Carmille. This is highly classified work—right under the noses of Nazi agents and associates. The question of whom to trust runs through the story like a leitmotif. Everyone knows that the Vichy government is a bad joke that eagerly collaborates with the Nazis. But to round up Jews, the Nazis need to correctly identify them. Carmille has engineered a way to sabotage the IBM punch cards that are used. The hacking and the deliberate stalling are successful. But later, Miriam, having killed a Gestapo officer, is on the run. She and Charles ultimately reunite while Carmille is arrested and tortured by the infamous Klaus Barbie. Harshbarger has a riveting story to relate, and he tells the tale superbly. Miriam—who narrates most of the chapters—is well drawn and braver than she thinks. Charles leads his double life with aplomb. As Delmand, he is a Times of London journalist; as Secœur, he is a French art consultant. How the punch card hacking works, the German occupiers’ arrogance, the daily anxiety that the Jews feel—all of this comes across very convincingly. During moments of heightened drama, the author deftly uses the brevitas trope. At one point, Miriam’s friend Simone has just seen a Jew killed by a German soldier and recounts her reaction: “ ‘Bit my fist till the soldier was out of sight. Then I ran. Through alleys. To the hotel.’ Simone burst into tears. She put her hands over her face. ‘I escaped from Warsaw,’ she sobbed. ‘My family’s there. Trapped.’ ” The useful backmatter bolsters the history and clearly shows that IBM’s complicity with the Third Reich was amoral at best, monstrous at worst.
A vivid, dramatic, and believable tale of a courageous and self-effacing war hero.Pub Date: Oct. 1, 2019
ISBN: 978-1-64307-276-0
Page Count: 376
Publisher: Mascot Books
Review Posted Online: Feb. 21, 2020
Kirkus Reviews Issue: April 15, 2020
Review Program: Kirkus Indie
PROFILES
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.
A retelling of Pinocchio from Geppetto's point of view.
The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.Pub Date: Jan. 26, 2021
ISBN: 978-0-593-18887-3
Page Count: 208
Publisher: Riverhead
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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