An utterly self-absorbed British teen scrivens her frustrations with the rest of the world in her slang-filled diary, all the while blissfully ignorant of the real chaos around her. Sound familiar? Janet Bandry is distinguished from Georgia Nicolson by her pretensions toward intellectualism: she and her best friend have decided to celebrate the new year by entering what they call the Dark Phase. What the Dark Phase means to Janet is wearing black, dying her hair purple, listening to jazz, and attempting to read The Outsider (“it was about three thousand pages shorter than Ulysses”). Janet’s family includes her mother, the Mad Cow; her psychiatrist father, Sigmund; her photographer brother, Geek Boy; her lesbian feminist aunt, Sappho; and her Bible-thumping ex-spy Nan, all of whom represent tedious obstacles to Janet’s pursuit of passion, in the person of the dashing vegetarian Elvin. In Sheldon’s (Confessions of a Teenage Drama Queen, 1999, etc.) hands, Janet’s general numbness results in some truly hilarious passages, but it also can be painful to witness. What the reader knows long before Janet is that her parents’ marriage is on the rocks: “Came home to find the female parent IN MY ROOM! She was lying on my bed! I was highly indignant, I can tell you. Not only was this a MAJOR breach of my privacy, but her eyes were all red and she was sniffling like she was coming down with something. She’d better not be infecting me with her germs.” The constant irony between Janet’s unbelievably obtuse reportage and the actual events readers discern below the surface sounds a one-note chorus that wears thin. Janet worries to her diary “about becoming as shallow and pointless as the rest of [her] family.” While this offering provides undeniable chuckles (aided by discriminating use of typefaces for emphasis), one is left wondering whether it is itself rather shallow and pointless. But it will certainly find an audience. (Fiction. 12+)
Pub Date: Feb. 1, 2003
ISBN: 0-7636-2048-3
Page Count: 240
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2003
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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