by Dylan Thomas & illustrated by Chris Raschka ‧ RELEASE DATE: Oct. 1, 2004
Luscious illustrations form a perfect match to the rolling language of the Christmas classic. Many could argue that the only way to experience Thomas’s language is to listen to it—that illustrations cannot possibly be anything other than incidental to the dizzyingly rich language whose breathless rhythms frequently challenge the reader’s lung capacity. If it is possible to illustrate these cadences adequately, then Raschka has managed to pull it off. Painted in ink and gouache on torn panels of fibrous handmade paper, the images are full of thick, sweeping lines that complement the language beautifully, the actual figures almost taking a backseat to the grand swoops of line and color. The absorbent paper blurs the lines, leading the eye to the fuzzy edges of the panels—there’s not a sharp edge in here. Inside scenes are cozy, saturated in firelight yellows and oranges, sprinkled with snoozing dogs and Uncles and bosomy Aunts, while in contrast, snowy outside scenes are rendered mostly in blues, grays, and whites that are nevertheless dotted with yellow-lit windows; comfort and warmth are never far away. Gorgeous. (Memoir. 5+)
Pub Date: Oct. 1, 2004
ISBN: 0-7636-2161-7
Page Count: 48
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2004
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by Alyssa Bermudez ; illustrated by Alyssa Bermudez ‧ RELEASE DATE: Aug. 17, 2021
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
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by Barbara Cooney & illustrated by Barbara Cooney ‧ RELEASE DATE: Oct. 1, 1996
"From the beginning the baby was a disappointment to her mother," Cooney (The Story of Christmas, 1995, etc.) begins in this biography of Eleanor Roosevelt. She is a plain child, timid and serious; it is clear that only a few people loved her. After her parents die, she is cared for in the luxurious homes of wealthy relatives, but does not find acceptance until she arrives in a British boarding school, where she thrives on the attention of the headmistress, who guides, teaches, and inspires her. Cooney does not gloss over the girl's misery and disappointments; she also shows the rare happy times and sows the seeds of Eleanor's future work. The illustrations of house interiors often depict Eleanor as an isolated, lonely figure, her indistinct face and hollow eyes watching from a distance the human interactions she does not yet enjoy. Paintings reveal the action of a steamship collision; the hectic activity of a park full of children and their governesses; a night full of stars portending the girl's luminous future. The image of plain Eleanor being fitted with her first beautiful dress is an indelible one. Readers will be moved by the unfairness of her early life and rejoice when she finds her place in the world. An author's note supplies other relevant information. (Picture book/biography. 5-9)
Pub Date: Oct. 1, 1996
ISBN: 0-670-86159-6
Page Count: 40
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Barbara Cooney & illustrated by Loretta Krupinski
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by Opal Whiteley & edited by Jane Boulton & illustrated by Barbara Cooney
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