by E. Latimer ‧ RELEASE DATE: Aug. 3, 2021
Suspenseful and heartening.
In this alternate historical London, anyone with more than 15% witch blood is banished; royals are not exempt.
Queen Alexandria, with her sister Isolde by her side, ascended the throne after crushing a witch uprising. Since then, all 13-year-olds have been tested for witch blood. When Prince Edgar and Isolde’s daughter, Emma, are tested, they fail. They, along with two others, Maddie and Eliza, are put on the Witch Express, a train supposedly heading to Scotland. But Eliza informs them that, actually, nooses await them. With assistance from a sympathizer, the foursome escape with instructions to find Witch City. But first, they must traverse the changeable In-Between as they are chased by the murderous queen, a witch hunter, and a monster. Survival depends on using their individual gifts: Maddie’s thought control, Eliza’s fire starting, Edgar’s bird communication, plus Emma’s alarming ability to hear others’ heartbeats—and even stop them. As they untangle the lies they’ve been fed, they uncover terrible secrets about the uprising and its aftermath. The brisk tale, colored with inventive details, is told with a focus on Emma’s perspective. Intrigue, betrayals, and threats of filicide heighten the drama, but it is the awesome possibilities awakened when one embraces one’s powers that lie at the heart of this story. Themes around rewriting history and the oppression of certain groups will invite the contemplation of parallels to the real world. Most characters default to White; Eliza has dark skin and curly hair.
Suspenseful and heartening. (Fantasy. 10-14)Pub Date: Aug. 3, 2021
ISBN: 978-1-101-91931-6
Page Count: 320
Publisher: Tundra Books
Review Posted Online: May 31, 2021
Kirkus Reviews Issue: June 15, 2021
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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BOOK TO SCREEN
by Scott O'Dell ; illustrated by Ted Lewin ‧ RELEASE DATE: Oct. 1, 1990
An outstanding new edition of this popular modern classic (Newbery Award, 1961), with an introduction by Zena Sutherland and...
Pub Date: Oct. 1, 1990
ISBN: 0-395-53680-4
Page Count: -
Publisher: Houghton Mifflin Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2000
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