Beautiful and devastating.
This prequel to We Were Liars (2014) takes place in 1987 as 17-year-old Carrie Sinclair faces her first summer at the family’s Massachusetts vacation property without her youngest sister, Rosemary.
Ten-year-old Rosemary drowned the previous summer while swimming alone. Carrie’s parents and remaining sisters, 16-year-old Penny and 14-year-old Bess, endure the loss with characteristic Sinclair stoicism, but Carrie finds it difficult to repress her sorrow, even with the aid of codeine pills to numb her pain. When Rosemary’s ghost appears to her, she is bewildered by the specter but accepts her intermittent appearances and comfortably mundane requests. Even more unexpected are the arrivals on Beechwood Island of George, Major, and Pfeff, friends of Carrie’s cousin Yardley. The boys’ presence, a deviation from the Sinclair family’s usual routine, sets into motion an unforeseen chain of events that ultimately entangles the three oldest Sinclair sisters. Lockhart’s stark, evocative prose captures the emotions of a grieving teenage girl paralyzed by the weight of her parents’ expectations and plagued by a perpetual sense of inadequacy. The novel is framed as a story that present-day Carrie tells the ghost of her deceased son, Johnny, who asks Carrie to reveal “the absolute worst thing you ever did, back then.” Her response is a haunting confession about family allegiances; the arbitrary rules of powerful, moneyed White families; and the strength required to bear witness to terrible truths.
Beautiful and devastating. (family tree, map, author’s note) (Fiction. 13-18)Pub Date: May 3, 2022
ISBN: 978-0-593-48585-9
Page Count: 320
Publisher: Delacorte
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK TO SCREEN
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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