Peaceful and reverent, this is a book for all families to share as they cuddle closely together.
Human, animal, and plant babies are all connected to the world that exists under the glowing moon each night.
In this warm bedtime story, a brown-skinned baby is born to a tan-skinned mother and a brown-skinned father who already have an older brown-skinned child with curly hair. The poetic text reminds children that the moon is always there, watching over the world and all its inhabitants. “When your mama was a baby, when your daddy was a baby, when your pet cricket was a baby—the moon remembers.” The artwork shows little ones snuggling with, reaching for, and playing with the smiling moon. The moon has been there forever, even welcoming the dinosaurs, and now it welcomes everything from little tomatoes to bunnies, owlets to infants, as it once greeted their parents. Speaking directly to children, the words are soothing and sweet. The soft multimedia illustrations, incorporating monoprint, gouache, watercolor, and collage, appropriately focus on night scenes, with an especially beautiful double-page spread at the end bringing together flora, fauna, and the human family (who are barely discernable), with a moonlit river flowing through the landscape. The endpapers show the phases of the moon, which may spark curiosity to learn about this phenomenon. (This book was reviewed digitally.)
Peaceful and reverent, this is a book for all families to share as they cuddle closely together. (Picture book. 2-5)Pub Date: May 9, 2023
ISBN: 9780358682325
Page Count: 40
Publisher: Clarion/HarperCollins
Review Posted Online: Feb. 7, 2023
Kirkus Reviews Issue: March 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A heartwarming story about facing fears and acceptance.
A boy with wings learns to be himself and inspires others like him to soar, too.
Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”
A heartwarming story about facing fears and acceptance. (Picture book. 3-5)Pub Date: May 1, 2018
ISBN: 978-1-68119-785-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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