by Ed Vere & illustrated by Ed Vere ‧ RELEASE DATE: July 17, 2012
Share this cartoonish, mock-horror tale with the not-so-sleepy at bedtime or rely upon it as a superb storytime choice where...
“Do YOU ever WONDER if somewhere, not too far away, there might be… / MONSTERS?” Whether readers do or not, it is hard to resist being swept up in the silly suspense of possibly becoming the target for this monster’s hungry attention.
A pea green, neon-pink–horned creature with big, white eyes and a wide-open mouth with yellow stubs of teeth comes off as more ridiculous than terrifying. But the language warns of his impending approach through pointed questions: “And as he crosses the gloopy, schloopy swamp…do you think he’s imagining just HOW GOOD you’ll taste all covered in ketchup?” Vere strikes the perfect balance of humor and thrills—so much so that readers may not know if they should be shaking with fear or laughter as the story progresses. After the monster happily rides his red bicycle through the “dark and terrible forest,” “tiptoes through thorns and thistles” and “climbs up the cold and snowy mountains,” getting ever closer, he arrives in town, creaks up the stairs and “opens your bedroom door” because “THIS monster wants… / a disgustingly sloppy GOODNIGHT KISS!”
Share this cartoonish, mock-horror tale with the not-so-sleepy at bedtime or rely upon it as a superb storytime choice where all can have fun participating in the hilarious sound effects. (Picture book. 3-6)Pub Date: July 17, 2012
ISBN: 978-0-8050-9509-8
Page Count: 32
Publisher: Henry Holt
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
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by Chloe Perkins ; illustrated by Dinara Mirtalipova
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by Chloe Perkins ; illustrated by Archana Sreenivasan
by Julia Donaldson illustrated by Axel Scheffler ‧ RELEASE DATE: June 1, 1999
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
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by Julia Donaldson ; illustrated by Catherine Rayner
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by Julia Donaldson ; illustrated by Axel Scheffler
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by Julia Donaldson ; illustrated by Axel Scheffler
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SEEN & HEARD
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