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INSIDE A PEARL

MY YEARS IN PARIS

Some of White’s observations on rape, feminism and promiscuity continue to shock, but the writer refuses to sentimentalize...

A memoir that engages on a number of levels, as a pivotal literary figure recounts his productive Parisian years.

When White (Jack Holmes and His Friend, 2012, etc.) began his 16-year Parisian residence in 1983, he was flush from the success of both his breakthrough novel, A Boy’s Own Story (1982), and a Guggenheim fellowship, and he was well on his way to establishing himself as the pre-eminent gay American writer of the era. “A Boy’s Own Story was presented to the world as a novel rather than as a memoir, but not out of a sense of discretion or modesty,” he writes. “It was just that back then only people who were already famous wrote their memoirs.” He continued to publish autobiographical novels but extended his literary reach to encompass biography and memoir (this is his third). The anecdotes and observations of the writer as social butterfly sustain plenty of interest, whether he’s overhearing Tina Turner tell Julian Barnes how much she loves his novels or describing being in the “historic, if tedious, company” of heiress and art patron Peggy Guggenheim. Some revelations are considerably more shocking, such as the story about the French actor and American writer who had sex “in an oven at Dachau while they were both tripping.” However, the broader cultural context elevates the memoir above gossip, as he writes of the onslaught of AIDS, then considered an American curiosity from which one could find refuge in Europe, and of the different attitudes and temperaments of the French, British and Americans. He ruminates on growing older and corpulent in a culture that prizes fitness and youth and of losing so many lovers and others to the scourge of AIDS. He also writes of his development as a literary stylist, one who “became simpler and more direct because of living in two languages.”

Some of White’s observations on rape, feminism and promiscuity continue to shock, but the writer refuses to sentimentalize or pull punches, even (or especially) when the subject is himself.

Pub Date: Feb. 11, 2014

ISBN: 978-1-60819-582-4

Page Count: 272

Publisher: Bloomsbury

Review Posted Online: Dec. 7, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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