by Edna St. Vincent Millay ; illustrated by Paolo Domeniconi ‧ RELEASE DATE: March 12, 2019
Romantic and bracing.
A poem by Edna St. Vincent Millay gets an illustrated treatment.
The 12 lines of Millay’s 1917 poem provide the whole text for this glorious nature outing. “I will be the gladdest thing / Under the sun!” opens the adventure, as the anonymous first-person narrator runs over grassy hills wearing a short-sleeved calico dress and sneakers. The poem can be read literally as realism, but in the illustrations, a fantasy realm grows. When the lines say “I will touch a hundred flowers / And not pick one,” a single flower grows to the scale of a sapling. The heads of massive birds peer out from between trees, their eyes intense and just this side of ominous. A forest, from a long view, is shaped like an animal, absorbing (not reflecting) sunlight even while the narrator’s peachy skin glows with reflected sun. When the poem lets the protagonist “[w]atch the wind bow down the grass, / And the grass rise,” the grass becomes a horizontally billowing ocean for the child to windsurf on, standing upright on an enormous leaf, arms outstretched, hair streaming. The illustrations are all full-bleed spreads; each has a different light. Domeniconi offsets acute, scientific-feeling, almost overpowering visual details on flowers and birds against vague, generic skies and distant trees. At dusk, lights glow in the distant town, and the narrator beds down—nestled in the antlers of a mighty animal, possibly an elk.
Romantic and bracing. (Picture book. 4-9)Pub Date: March 12, 2019
ISBN: 978-1-56846-334-6
Page Count: 14
Publisher: Creative Editions/Creative Company
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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by Edna St. Vincent Millay & illustrated by Beth Peck
by Andrea Beaty ; illustrated by David Roberts ‧ RELEASE DATE: April 16, 2019
Adventure, humor, and smart, likable characters make for a winning chapter book.
Ada Twist’s incessant stream of questions leads to answers that help solve a neighborhood crisis.
Ada conducts experiments at home to answer questions such as, why does Mom’s coffee smell stronger than Dad’s coffee? Each answer leads to another question, another hypothesis, and another experiment, which is how she goes from collecting data on backyard birds for a citizen-science project to helping Rosie Revere figure out how to get her uncle Ned down from the sky, where his helium-filled “perilous pants” are keeping him afloat. The Questioneers—Rosie the engineer, Iggy Peck the architect, and Ada the scientist—work together, asking questions like scientists. Armed with knowledge (of molecules and air pressure, force and temperature) but more importantly, with curiosity, Ada works out a solution. Ada is a recognizable, three-dimensional girl in this delightfully silly chapter book: tirelessly curious and determined yet easily excited and still learning to express herself. If science concepts aren’t completely clear in this romp, relationships and emotions certainly are. In playful full- and half-page illustrations that break up the text, Ada is black with Afro-textured hair; Rosie and Iggy are white. A closing section on citizen science may inspire readers to get involved in science too; on the other hand, the “Ode to a Gas!” may just puzzle them. Other backmatter topics include the importance of bird study and the threat palm-oil use poses to rainforests.
Adventure, humor, and smart, likable characters make for a winning chapter book. (Fiction. 6-9)Pub Date: April 16, 2019
ISBN: 978-1-4197-3422-9
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
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by Andrea Beaty ; illustrated by David Roberts
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by Nikki Giovanni ; illustrated by Erin K. Robinson ‧ RELEASE DATE: Sept. 27, 2022
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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by Nikki Giovanni ; illustrated by Ashley Bryan
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