The result is an analysis that sings, though its melody turns increasingly sour.
Two Italians from different backgrounds offer call-and-response pieces on the post-millennial economic collapse.
The title, taken from Jim Morrison’s “Ghost Song,” and the opening evocation of U2’s Bono suggest from the start that this will not be a dry economic analysis restricted to the native Italy of the co-authors. Instead, the narrative is often impassionedly lyrical, both literary and musical in quality, as it proceeds from the unbridled optimism of the late 1990s to the abject hopelessness that the authors blame on globalization in general and China’s entry into the World Trade Organization in particular. Nesi is a prizewinning novelist (Story of My People, 2013, etc.) and politician who had faced unemployment after being forced to sell the textile company that his grandfather started in the 1930s. Brera is the founder of an Italian investment management company that saw benefits from the economic downturn that plagued Southern Europe. Interestingly, alternating chapters find both authors following the same emotional arc, from a faith in “a future that had never before looked so promising,” amid the 1990s and its “grand, continuous, thrilling process of acceleration,” through “the disasters of globalization” and the “desperate, sentimental, Luddite war against the world and against the future.” What happened? Among other factors, outsourcing, cost-cutting, national debt, and, most egregiously, competition from demagogues that have had no respect for worker rights, environmental controls, or trademark protections under which the industrial West operated. Globalization promised to lift more than 1 billion people out of poverty, and it did, agree the authors—“one billion Chinese.” The analysis often soars as a work of sociocultural criticism, though it doesn’t offer much hope as economic analysis. Instead, it shows how hopes so high could be brought so low.
The result is an analysis that sings, though its melody turns increasingly sour.Pub Date: March 27, 2018
ISBN: 978-1-59051-931-8
Page Count: 208
Publisher: Other Press
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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