A bubbling but empty-headed tribute to manufacturing, production, and the wonders of capitalism.
Three young men set out to establish a textile firm in Florence, Italy.
It’s the 1970s, and the Italian economy is booming. Ivo Barrocciai, whose father has long run a small but well-established textile company, dreams of setting out on his own: establishing his own factory, modernizing, wildly expanding. Failure doesn’t seem possible. “Wasn’t it a miracle that anyone could try his hand at opening a business?” another character wonders in Nesi’s (Story of My People, 2014) new novel. Ivo decides to build a massive factory and, to do so, acquires two partners, of sorts: Cesare Vezzosi, a scatterbrained, philandering tennis prodigy; and Pasquale Citarella, a simple, hardworking painter who blushes easily and has never had a bank account. The novel traces their business journey, along with several underlying threads: as Cesare pursues a mistress, Ivo pursues Cesare’s wife, and Cesare’s son pursues a classmate. Pasquale, meanwhile, tries to keep the business on track. Unfortunately, all these narrative threads fail to add up to anything. Ivo and Cesare are selfish, unsympathetic characters, and Nesi is so condescending in his treatment of Pasquale that those pages are difficult to get through. Nor are the joys and wonders of capitalism, the underlying theme of the novel, entirely convincing. And though we’re told, many times, that Ivo’s new factory is beautiful, very beautiful, incredibly beautiful, we never get any more specific details.
A bubbling but empty-headed tribute to manufacturing, production, and the wonders of capitalism.Pub Date: July 11, 2017
ISBN: 978-1-59051-822-9
Page Count: 320
Publisher: Other Press
Review Posted Online: May 1, 2017
Kirkus Reviews Issue: May 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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