A book that at first glance might seem minimalist to the point of vacuity bears closer scrutiny when one appreciates the...
Where do the seven colored shapes come from, and whose are they?
As the shapes come blowing across the clean, white pages, the chicken, the fish, the bird, the snail and the frog each in turn claim them using simple repetitive phrases. "They're mine!" says the chicken, created when the shapes arrange themselves in the form of its head. "I saw them lying around!" But it turns out only the wind has the power to transform the puzzlelike paper shapes into the bodies of each creature and to finally blow them high in the air so readers can “catch” them and make their own (imaginary) collages. The shapes arrange themselves differently on each page to challenge children to see them as different animals. French illustrator Manceau makes extravagant use of white space; the page opposite the text that reveals the wind’s role in the drama is amusingly blank. The typeface looks light and insubstantial in relation to the strong graphic line of the illustrations. The text reads clumsily in places, possibly a poor translation from the French original, and is so sparse that some spreads are unsatisfying.
A book that at first glance might seem minimalist to the point of vacuity bears closer scrutiny when one appreciates the function the paper shapes can have in allowing a child to identify them in different orientations and even to practice counting . (Picture book. 3-7)Pub Date: April 15, 2013
ISBN: 978-1-926973-77-7
Page Count: 32
Publisher: Owlkids Books
Review Posted Online: Dec. 25, 2012
Kirkus Reviews Issue: Jan. 15, 2013
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
A comical, fresh look at crayons and color.
Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.
Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.
A comical, fresh look at crayons and color. (Picture book. 3-7)Pub Date: June 27, 2013
ISBN: 978-0-399-25537-3
Page Count: 40
Publisher: Philomel
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
SEEN & HEARD
SEEN & HEARD
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