A solid historical novel that explores how love, hate, and prejudice can last for decades.
A migrant worker and a rancher's daughter form a lasting connection in this historical novel.
Webster, the author of Soul of Toledo (2016), presents a narrative that bounces between the late 1960s, the 1990s, and beyond, showing the lasting impact that people can have on each other’s lives. Mexican Carlos Montoya, who regularly travels between his home country and the United States as a migrant worker, goes to work in the fields of the Booker family’s ranch in California in 1967. He catches the eye of the owner’s wife, Amy Booker, who hires him to pose for her provocative drawings, which she uses to irritate her husband; however, Carlos ends up sleeping with Amy’s 20-ish daughter, Julie. Although he loves his wife, Isabel, back in Mexico, Carlos also begins an emotional and eventually sexual affair with a local woman, María. Carlos becomes the victim of police brutality—with details revealed over the course of the book—and returns to Mexico, where he wants to forget about his California years. In 1994, as debate rages over Proposition 187, which aims to deny state services to the undocumented, Lilia Gomez, who works for Julie, goes to visit Carlos in Michoacán. Carlos, now a widower, reluctantly tells her the story of his time with Julie; however, he and Lilia later fall for each other. Meanwhile, Benito Ortega, a young San Francisco activist, fights for immigrant rights while discovering his own connection to Carlos, and Julie resolves her own loose ends. Despite the sprawling and occasionally melodramatic plot, this novel is highly readable and easy to follow as the narrative and characters move between different eras and locales. Throughout, Carlos is a challenging protagonist, and his attempts to justify his infidelity are particularly infuriating, but Webster depicts his complexities with empathy. The author’s depictions of racism and brutality straddle the line between evocative and cartoonish (“Don’t you know that ranchers conspire against their workers?” Julie says. “María’s overseer would beat you for fun, then hand you to my father”). Overall, though, they generally help to present a vivid portrait of the challenges that Carlos faces throughout the story.
A solid historical novel that explores how love, hate, and prejudice can last for decades.Pub Date: Aug. 4, 2020
ISBN: 978-0-9970320-1-7
Page Count: 308
Publisher: Self
Review Posted Online: Sept. 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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