From storywriter Hardy, a first novel about two brothers, their sister, and their father, each estranged from the others. Nate Scales is a struggling journalist on a struggling Boston paper, always handed such undesirable assignments as the police beat. He's both a perfectionist and indecisive, and not good at his work. His sister, Sarah, meanwhile, is almost pathologically disorganized: She can't get going on a career, can't stay with one boyfriend. Nate and Sarah don't get along, but when word comes that their older brother, Grant, has died, they drive to upstate New York for the funeral. Along the way, their talk reveals much about their past: the freak accident that led to their mother's death, for example, and to their father's emotional collapse and flight. Grant had been left to raise them, and both disliked his arbitrary methods. They cannot grieve over his passing, but it turns out that he has left them both a sizable fortune; they also learn that Grant has been in continual contact with their father, Raymond. The two drive west in search of their father, eventually finding him in Yellowstone National Park, where he works at a concession and waxes eloquent about geysers. He's a dreamy, likable fellow who makes good sense in an offbeat, slightly schizophrenic way, offering such aphorisms as ``A dream thwarted stays a dream.'' Finally, Nate and Sarah come to the realization that their father and Grant were doing their best to take care of them all along, albeit in a loony, ineffectual way. Hardy uses a lot of techniques: alternating points of view, for instance, including chapters from the dead Grant. And his structure—two troubled young people, a bequest, a quest, and the arrival in a famous place, is classically perfect. What's lacking is substance: Hardy's characters don't know much, don't learn much, and their adventures are ordinary. Overall, a slick, pleasant, promising, but rather shallow performance.
Pub Date: Sept. 1, 1996
ISBN: 1-882593-16-2
Page Count: 256
Publisher: Bridge Works
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1996
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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