Deeply felt memoir rife with historical drama and familial tragedy.
Danticat (The Dew Breaker, 2004, etc.) tells the dramatically twinned stories of her father’s and uncle’s hardworking, tragedy-haunted lives.
This exceptionally gripping memoir starts off momentously in 2004, when the author discovers she’s pregnant on the same day she learns that her father has end-stage pulmonary fibrosis. From there, Danticat angles backward in time, sketching a family history marked by long absences and a backdrop of political unrest. While her parents tried to make a better life in Brooklyn, the author was raised in Haiti by her uncle Joseph; she didn’t join her mother and father until she was 12. She depicts Joseph, a pastor in Port-au-Prince, as a quiet, dignified man who suffered as only good men do. A radical laryngectomy in 1978 took away his voice. Years later, fleeing the gangs terrorizing Haiti in the post-Aristide years, he died in an undeservedly ugly fashion, humiliated and denied his medication by the U.S. authorities to whom he applied for asylum. Shifting back and forth in time, Danticat alternates between her uncle’s and her father’s stories. She keeps herself solidly in the background, using her childhood experiences as a means to vividly portray two honorable, duty-bound men who wanted nothing more than to lead respectable lives in a peaceful and prosperous Haiti. The country’s troubled history is always smoldering in the background, and there’s an explosion of tears waiting behind almost every sentence. But Danticat avoids sentimentality in smoothly honed prose that is nonetheless redolent with emotion.
Deeply felt memoir rife with historical drama and familial tragedy.Pub Date: Sept. 10, 2007
ISBN: 978-1-4000-4115-2
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2007
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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