A sensitive story about the death of a much-loved pet.
A girl grieves for her dead cat but finds solace in moving on.
Lilah is pictured on the book’s cover happily reading to Olive, her loving and attentive feline. The title page, with images of flyers about a lost cat, hint at the sadness to come, and when Lilah returns from school one day, her mother tells her that Olive is dead. The difficult scene plays out in the illustrations, with no mention of the words death or dead, but Lilah’s tears make it clear what has happened. A tree planted in memory of Olive provides no peace, only anger. Through the seasons, the tree grows, but Lilah refuses to interact with it. Enter a striped cat who returns day after day to sit in Olive’s favorite spots despite Lilah’s anger. And then the new cat climbs Olive’s tree. Predictably, Lilah rescues the cat, begins to appreciate and enjoy her memories of Olive, and embraces the new pet. In this gentle tale that treads familiar ground, a child faces grief with help from an affectionate new companion—though an author’s note with tips on dealing with this very difficult subject might have been helpful. The softly colored illustrations are appealing and do not overplay the presentation. Olive is light-skinned with black hair. (This book was reviewed digitally.)
A sensitive story about the death of a much-loved pet. (Picture book. 4-7)Pub Date: June 1, 2022
ISBN: 978-1-76050-408-3
Page Count: 32
Publisher: Little Hare/Trafalgar
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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