This book’s few strengths are sadly underutilized.
Handa spends the night at her friend Akeyo’s house and hears sounds throughout the night.
Handa and Akeyo, children of the Luo people of Kenya, are excited to sleep in the hut (evidently an outbuilding—it is unclear what kind of structure the main house is). Once inside, they lay out their mats, have a snack, and play games. Meanwhile, all sorts of sounds reach them from outside the hut. When Handa hears snorting, Akeyo says it’s just her father laughing, but readers see a view of a pig outside. When Handa hears chattering, Akeyo says the grown-ups are talking, but the illustration shows a group of bat-eared foxes outside. The noises and explanations continue, with each image of the children inside facing a view of an animal outside, as the two get ready for bed and lie down to sleep. In the morning, when Akeyo accuses her family of being noisy and they say they were quiet as mice, the two friends look out at readers as they ask, “So who was making the noise?” Handa and Akeyo are sympathetic protagonists, and the vividly illustrated creatures of the night will intrigue child readers. The persistent comparison of Akeyo’s family members to animals, however, is both ludicrous—these children have presumably heard these sounds all their lives and must know what they are—and somewhat unsettling, particularly from the perspective of a European author/illustrator. The page turns and layouts are disappointingly predictable and fail to create a suspenseful, dramatic story rhythm.
This book’s few strengths are sadly underutilized. (Picture book. 3-7)Pub Date: April 21, 2020
ISBN: 978-1-5362-1489-5
Page Count: 32
Publisher: Candlewick
Review Posted Online: April 7, 2020
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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