A thought-provoking and visually stunning portrait of an embattled paradise.
The great river system of the Pacific Northwest is home to a clash between nature and industrial civilization—with the salmon its tragic victim—according to this vibrant photographic meditation.
Photographer and biologist Moskowitz and nature writer Pearkes survey, in words and images, the enormous Columbia River Basin, stretching from British Columbia to Nevada and from Montana to the Pacific Ocean, its many rivers now punctuated by dozens of dams. The book opens with an expansive essay by Pearkes on the Basin’s natural and human history, including the ancient geology and glaciology that forged its rugged landscape, the evolution of salmon and their epic upriver migrations from the sea to spawn in the freshwater streams where they hatched, the Indigenous cultures that shaped themselves around the salmon runs, and the modern project of damming and rationalizing the rivers for the purposes of flood control, navigation, irrigation, and electric power, which blocks salmon runs in the process. She concludes with an intricate consideration of the present-day struggle between native tribes and eco-activists trying to restore salmon runs and competing agricultural-industrial interests, and she highlights some hopeful recent compromises. Pearkes’ prose is lucid and full of compelling scientific and historical detail, but it also conveys a deep spiritual connectedness. (At a tribal salmon ceremony, she writes, a fish “darted unexpectedly in my direction and grazed my calf, then disappeared into deeper water. A bolt of pure energy charged through me. Over the next few days, I dissolved into a weeping mess.”) Much of the book is devoted to Moskowitz’s color photographs, which illustrate Pearkes’ themes with a visual counterpoint between nature and civilization, including sweeping vistas of winding river valleys, lush coastal rain forests, snowy peaks, and meadows dappled with wildflowers. But this arcadia, Moskowitz shows, is blighted by brutalist concrete dams, barges chugging up canals, forest slopes gouged by clear-cutting, and vast industrial farms; in one resonant juxtaposition, irrigation sprinklers spray a mono-crop while smoke from a distant wildfire dims the sun.
A thought-provoking and visually stunning portrait of an embattled paradise.Pub Date: June 1, 2024
ISBN: 9781680516609
Page Count: 224
Publisher: Braided River
Review Posted Online: April 25, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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