A tip of the stovepipe hat for making a poetry biography so much fun.
Telling Abraham Lincoln’s story in poetry is a tall order, but Meyer pulls it off.
“Come read about a legend— / the greatest of the greats; / from a poor boy in the backwoods / to a president, first-rate.” The title of each celebratory poem offers a yearbook-style superlative about our 16th president: “Best Wrestler,” “Best Lumberjack,” “Who’s Tallest?” Each poem is accompanied by a brief paragraph providing context for the poem. The rhyming poems are mostly in third person, though one is in the voice of Lincoln’s stovepipe hat, and there’s another from Grace Bedell, who wrote to the president encouraging him to grow a beard. The upbeat poems and string of superlatives, however, leave little room for more nuanced explanations, as in “Strongest Conviction: Signing the Emancipation,” from which readers learn that Lincoln freed the slaves but not that they weren’t really free yet nor that his commitment to abolition was limited. The portrait orientation of the volume is the right choice for our tall president, and Szalay’s attractive, folksy art manages to capture the homespun spirit of the poems. Brown faces appear in the crowd at the Lincoln Memorial, and President Barack Obama and Frederick Douglass make appearances. The collection will make excellent reading aloud in the classroom, a few a day.
A tip of the stovepipe hat for making a poetry biography so much fun. (author’s note, superlative words, timeline, resources, quotation sources, bibliography) (Picture book/poetry. 6-9)Pub Date: Nov. 5, 2019
ISBN: 978-1-58089-937-6
Page Count: 48
Publisher: Charlesbridge
Review Posted Online: Aug. 25, 2019
Kirkus Reviews Issue: Sept. 15, 2019
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK REVIEW
BOOK REVIEW
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