Next book

BIRDIE

A gentle look at daily beauty and at heartache that’s not caused by anyone doing anything wrong.

For at least one young girl, a small town is a good place to navigate early crushes and long-term grief.

Twelve-year-old Birdie knows everything about birds. She doesn’t quite want to be one anymore, as she did when she was little, but she still drops hairs from her hairbrush onto the lawn because “there is something / light and feathery / in my heart / at the idea / that a bird / may be weaving / the hairs from my brush / into its nest.” Mom and Birdie came to live with great-grandmother Maymee in tiny Hadley Falls (too small for a public library) three years ago, after Birdie’s firefighter father was killed in the line of duty. The grief isn’t fresh but it’s ongoing—as are Maymee’s eccentricity (she interrupts church to identify an attractive new older worshiper), the five shelves of “lending library” in a neighbor’s pantry, and classmate Loretta’s preparation to become a therapist by “seeing” neighborhood kids as clients. The adults are all good, the kids occasionally grumpy but kind, and the town safe for 12-year-olds to roam. Even the pains of an unrequited crush or a new man in Mom’s life come with soft places to fall. Birdie’s free-verse narration is thoughtful and unhurried, and although it’s interior, it shows without telling. Birdie and her family seem white by default and cover art; absence of racial markers implies that everyone is white.

A gentle look at daily beauty and at heartache that’s not caused by anyone doing anything wrong. (Verse fiction. 9-12)

Pub Date: April 9, 2019

ISBN: 978-0-8028-5513-8

Page Count: 208

Publisher: Eerdmans

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

Next book

TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

Next book

CLUES TO THE UNIVERSE

Charming, poignant, and thoughtfully woven.

An aspiring scientist and a budding artist become friends and help each other with dream projects.

Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.

Charming, poignant, and thoughtfully woven. (Fiction. 9-12)

Pub Date: Jan. 12, 2021

ISBN: 978-0-06-300888-5

Page Count: 304

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: Oct. 26, 2020

Kirkus Reviews Issue: Nov. 15, 2020

Close Quickview