Fans coast to coast can take pleasure in seeing Copperman’s quirky hero remain his rational, literal self, even out in...
Professional fact-finder Samuel Hoenig (The Question of the Felonious Friend, 2016, etc.) accepts a query from a client he can hardly refuse: his mother.
Though he resists the notion that people on the autism spectrum don’t develop the same attachments as their neurotypical peers, Samuel nevertheless has very little interest in discovering the whereabouts of his own father. Not, Samuel insists, because he lacks feelings, but because he lacks information. Reuben Hoenig left the family home 27 years ago, and since then, there’s been hardly a word about his career in the music business, his health, or even his whereabouts. This last had become of great concern to Vivian Hoenig, since she’s just received a letter from Reuben, the first in many years, suggesting that he may never be able to write to her again. Once she shapes her concern into a question—“Where is your father living now?”—it becomes a matter of professional urgency for Samuel to find Reuben. As proprietor of Questions Answered, his job is precisely and literally to answer questions. And Samuel is nothing if not precise and literal. He and his associate, Ms. Washburn, undertake a computer search and find that Reuben once worked for the Rayborn Corporation in Seattle. When he left Rayborn, his salary line seemed to be transferred to a George Kaplan of Mendoza Communications, in Los Angeles. But the intricate connections between Rayborn, Mendoza, and an outfit called Kaplan Enterprises in the neighborhood of Reseda simply can’t be traced online. Samuel, who’s never been more than a few hours from Piscataway, is going to have to get on a plane and travel to the San Fernando Valley, where only the patience and guidance of Ms. Washburn will stand between him and the terrors of hotel bathrooms, restaurant meals, and traffic on the 101. Even in his native New Jersey, Samuel is often a stranger in a strange land. But transporting him across the country gives Copperman, aka Cohen, the opportunity to open up his inner life and to explore his burgeoning relationship with his assistant.
Fans coast to coast can take pleasure in seeing Copperman’s quirky hero remain his rational, literal self, even out in fabulous La La Land.Pub Date: Oct. 8, 2017
ISBN: 978-0-7387-5079-8
Page Count: 288
Publisher: Midnight Ink/Llewellyn
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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