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SAME DIFFERENCE

A hilarious quest.

Copperman, creator of a host of offbeat protagonists, continues his trademark zaniness.

Brian Hennessey’s plea to find his missing daughter provides detective Fran Stein with a refreshing twist on her usual meat-and-potatoes cases helping adopted adults find their birth parents. Fran and her brother, Ken, know firsthand the longing to connect with genetic forebears, since they have no biological parents. A pair of geneticists created them in their lab before leaving them to be raised by their “Aunt Margie,” a radio news reporter who somehow got wind of their little experiment. Mad scientists Brad and Livvie have long since vanished, chased by some unspecified threat to their and their unorthodox progeny’s lives. Fran feels a bond with the missing Eliza Hennessey because Eliza recently came out as a transgender woman. The detective can sympathize with someone who has trouble letting people know she’s finally her true self, rather than whoever they thought she was—since Fran’s recent attempt to share her secret with her kinda-sorta boyfriend, NYPD Det. Richard Mankiewicz, ended in disaster. But once Fran tracks Eliza down through her enrollment in New Amsterdam University, that bond gets strained. Eliza turns out to be a moody, pouty teenager with plenty of troubles, like the corpse of one of her boyfriends, Damien Van Dorn, in the basement of a Bronx apartment building. Soon Fran and Eliza are on the run, and it takes every bit of Ken’s ingenuity to shield them from Damien’s killers, the police, and anyone else in New York who can use electronic data to track a willful teen who won’t put down her cellphone.

A hilarious quest.

Pub Date: June 4, 2024

ISBN: 9781448312030

Page Count: 240

Publisher: Severn House

Review Posted Online: April 5, 2024

Kirkus Reviews Issue: May 1, 2024

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE MAN WHO DIED SEVEN TIMES

A fresh and clever whodunit with an engaging twist.

A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.

Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”

A fresh and clever whodunit with an engaging twist.

Pub Date: July 29, 2025

ISBN: 9781805335436

Page Count: 288

Publisher: Pushkin Vertigo

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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