Space opera mixed with resilience and determination in an upended world.
A gifted grad student is drawn into a rebellion that threatens her comfortable existence.
Morgan Enni lives on the most prosperous of the Stavenger space stations, but she doesn’t crave fancy possessions or long for excitement. She also doesn’t mind that she can’t work with æther since she lacks the gene-sense shared by most residents of Katla. Morgan just wants to convince the university to fund her research so she can work alone in her lab. Her investigation into the long-ago collapse of æther overlaps with the realm of politics, but Morgan’s not interested in the bizarre events that happened on Brannick Station (as covered in 2021’s Aetherbound). She’s just going to focus on her academic research, even if it disappoints all the people who want her to be politically involved. But when she returns from her fieldwork, politics finds her anyway. Banished from her precious laboratory, Morgan might as well join the rebellion, who’ll at least fund her research—her family secret is a currency too precious for the rebels to refuse her. Her discoveries about the æther cycle are useful to them, besides. Morgan, who’s comfortably asexual, also discovers her quiet desire for romance among the rebels. The storytelling is heavy on explanation and oddly emotionally distant, but this sequel about one girl’s rejection of an irritating destiny is chock-full of space battles and forms a solid companion to the series opener.
Space opera mixed with resilience and determination in an upended world. (Science fiction. 14-18)Pub Date: July 22, 2025
ISBN: 9781984816160
Page Count: 272
Publisher: Dutton
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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