With estimable dignity, a mother recounts the horrendous tragedy her family suffered when, due to the scandalous indifference of certain pharmaceutical companies, the medicines her sons used became deadly poisons. This modern horror narrative is all the more shocking because every word is true. With simple eloquence and understandable anger, but never indulging in morbid self-pity, DePrince tells of her five sons (three adopted), all of whom suffered from hemophilia. For years, the DePrince children's painful internal hemorrhaging was controlled with clotting factor, a medication distilled from the pooled blood of thousands of donors. In the early 1980s, HIV from some donors contaminated clotting factor, converting into a lethal toxin the very medicine that had freed families from the scourge of hemophilia. As a result, an estimated 8,000 hemophiliacs and many spouses of hemophiliacs, not to mention many recipients of blood transfusions, became infected with HIV. Two of the DePrince children, Cubby and Mike, died from AIDS. DePrince describes such moving and profound scenes as 11-year-old Cubby stoically preparing for death, comforting his grieving family and friends, and keeping a journal of his thoughts as life painfully slips away. Ably interweaving her personal tale with the medical story of how clotting factor was developed, DePrince informs us as well of the most horrific aspect of the catastrophe: A process developed in Germany to inactivate hepatitis in clotting factor also proved effective in destroying HIV, but it was passed up by various American pharmaceutical companies in favor of a cheaper method that left HIV intact. The author details the legal actions she and others have taken to obtain justice for the thousands of needless deaths. While inspiring the reader through the DePrince family's saga of fortitude, Cry Bloody Murder presents as well an effective, concise introduction to the science, business, and legal issues defining the hemophilia/HIV catastrophe.
Pub Date: July 1, 1997
ISBN: 0-679-45676-7
Page Count: 256
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1997
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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