From childhood, Konrad Lorenz was fascinated by ducks and geese, growing up to become a prize-winning scientist who offered new insights into animal behavior. This picture-book biography, a first for young readers about the famous ethologist, summarizes his life’s work with geese (although the word instinct is used only in the author’s note). Appropriately for the audience, this introduces the idea of imprinting through describing his pets, a duck in his childhood, a goose he named Martina and Martina’s mate from the wild, Martin. (Unfortunately, the author states that after the pair flew away, Lorenz never saw them again, but Lorenz himself mentions recognizing Martin in a flock of wild geese, early in his 1952 landmark work, King Solomon’s Ring.) The pastel illustrations, in gouache, ink and colored pencil, use a technique that includes scratchboard effects and is childlike in style but also suggestive of Renoir and other impressionists. These pictures tell the story as clearly as the simple text, whose language and frequent repetition make this scientific biography easily accessible to beginning readers. (bibliography) (Picture book/biography. 5-9)
Pub Date: Jan. 1, 2010
ISBN: 978-0-547-08459-6
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
"From the beginning the baby was a disappointment to her mother," Cooney (The Story of Christmas, 1995, etc.) begins in this biography of Eleanor Roosevelt. She is a plain child, timid and serious; it is clear that only a few people loved her. After her parents die, she is cared for in the luxurious homes of wealthy relatives, but does not find acceptance until she arrives in a British boarding school, where she thrives on the attention of the headmistress, who guides, teaches, and inspires her. Cooney does not gloss over the girl's misery and disappointments; she also shows the rare happy times and sows the seeds of Eleanor's future work. The illustrations of house interiors often depict Eleanor as an isolated, lonely figure, her indistinct face and hollow eyes watching from a distance the human interactions she does not yet enjoy. Paintings reveal the action of a steamship collision; the hectic activity of a park full of children and their governesses; a night full of stars portending the girl's luminous future. The image of plain Eleanor being fitted with her first beautiful dress is an indelible one. Readers will be moved by the unfairness of her early life and rejoice when she finds her place in the world. An author's note supplies other relevant information. (Picture book/biography. 5-9)
Pub Date: Oct. 1, 1996
ISBN: 0-670-86159-6
Page Count: 40
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
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