A moving glimpse into a past that is an all-too-possible vision of our future.
There are millions of Holocaust stories. This is one you haven’t heard yet.
Acclaimed author Arnold leaves behind her metaphor-laden fantastical fare to tell the fictional tale of Frederieke Teitler, a Jewish girl whose life was inspired by that of the author’s grandmother Frieda Teitler during the Holocaust in then-Romanian Czernowitz, where nearly 40% of the population was Jewish. Painstakingly researched (the extensive backmatter details the blend of scholarship and family history) and sometimes painful to read, this book is many things: an examination of love and duty, a revelatory account of a Holocaust experience many won’t know, and a wrenching coming-of-age story. Rieke experiences hunger, illness, rape, and the loss of all she has known, yet somehow holds on to hope and love. The small and sometimes terrible complexities of familial drama play out against the vastness of the Holocaust. Rieke’s mother pines for her unfaithful husband; Astra, Rieke’s older sister, is the axis around which all things must turn, and someone Rieke adores beyond reason despite her chronic, careless malice, belied by sudden gestures of immense love. The rock amid this tumult is Opa, her grandfather, whose steady kindness and honor remain, even as the world around them descends into hate and violence.
A moving glimpse into a past that is an all-too-possible vision of our future. (foreword, timeline, author’s note, archival materials, reading list) (Historical fiction. 13-18)Pub Date: Oct. 10, 2023
ISBN: 9780062990853
Page Count: 400
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: July 31, 2023
Kirkus Reviews Issue: Aug. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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