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THE QUESTION OF MIRACLES

A quiet, affecting journey rendered with keen insight.

Hoping for one particular miracle leads Iris to discover that life may be a series of them.

Iris has moved from California to Oregon, where the change from sun to rain every day mirrors her sorrow after the death of her best friend, Sarah. Only one thing comforts her: She feels Sarah’s ghost in the closet of her family’s new house. Although Iris’ parents want her to make friends, Iris would rather experience a miracle allowing her to talk with Sarah. She sees a vehicle to this miracle in her classmate Boris, who, some say, should have died as a baby but was miraculously healed in utero. Iris’ longing is palpable, and her grief is tenderly portrayed. She toys with contacting Sarah through a physic or, with Boris, through Electronic Voice Phenomena (the principle that the dead are all around but we simply cannot hear them). She also wonders if prayers can provide a miraculous intercession, meets with a therapist and talks with her parents. Supported by a well-developed cast of characters, Iris moves through the process, sharing stories of loss with others, learning her own strengths and developing her friendship with Boris. Iris still misses Sarah but begins to feel hope and see small miracles of life all around her. Just as Iris finally embraces the rain, spinning round and round, readers, too, will recognize the circular patterns of love and loss, joy and grief, life and death.

A quiet, affecting journey rendered with keen insight. (Fiction. 10-14)

Pub Date: Feb. 3, 2015

ISBN: 978-0-544-33464-9

Page Count: 240

Publisher: HMH Books

Review Posted Online: Nov. 3, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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GHOST

From the Track series , Vol. 1

An endearing protagonist runs the first, fast leg of Reynolds' promising relay.

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Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.

His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.

An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4814-5015-7

Page Count: 192

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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