by Elana K. Arnold ; illustrated by Linda Davick ‧ RELEASE DATE: Aug. 27, 2019
Riley’s courageous vulnerability is refreshing, fun, and worthy of celebration.
Is Riley a girl or a boy? Riley decides to answer an entirely different question through the creative self-expression of their clothing.
Each day of the week, Riley invents a new outfit to wear to school, around the house, and to the park. The tan-skinned, dark-haired protagonist has clothing for every mood and occasion: a bunny suit for first-day-of-school shyness, “a superhero cape to the dentist’s because teeth cleaning is scary,” and a tutu, perfectly mismatched with a dinosaur hat, for the weekend. Instead of making Riley a target of bullies, the gender-fluid ensembles draw their classmates in. Heartwarmingly, Arnold and Davick depict the spectacularly nongendered protagonist in positive connection with the people around them. Children are at the center of this colorful story: Adults, when they appear, mostly line the periphery of Davick’s double-page–spread illustrations while classmates of various skin tones are featured in cheerful detail. In the growing landscape of children’s books that explore gender, this offering beautifully normalizes the multifaceted gender expressions people can have, demonstrates the support adults can provide to nonbinary children, and models how easily young ones can relate to one another without having to choose between two gender options. Though Riley’s gender identity is never explicitly stated in the narrative, Arnold and Davick’s entertaining tale speaks volumes about the creativity of nonbinary kids.
Riley’s courageous vulnerability is refreshing, fun, and worthy of celebration. (Picture book. 3-9)Pub Date: Aug. 27, 2019
ISBN: 978-1-4814-7260-9
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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PERSPECTIVES
by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Erin Guendelsberger ; illustrated by Elizaveta Tretyakova ‧ RELEASE DATE: Oct. 1, 2020
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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