by Eleanor Coerr ‧ RELEASE DATE: April 21, 1993
The Japanese calligrapher's ``four treasures'' are brush, paper, inkstick, and inkstone; the ``fifth'' is a beauty of heart informing the brushstrokes and bringing word-pictures to life. It is this that Mieko, at ten a talented student of the art, fears she has lost after her hand is injured in the atomic blast that destroyed Nagasaki. Bitterly ashamed of her disfigured hand (and soul), overwhelmed by homesickness (she's been sent to her grandparents in the country), Mieko is most despondent because she can no longer paint. In time, the encouragement of her elders—and especially of a gentle new friend—help draw her out of her pain and isolation and she begins to paint again. As in Coerr's well- loved biographical Sadako and the Thousand Paper Cranes (1977), the horrors of the bombing are not dwelt on here; again, the subtler underlying menace is a child's vulnerability to war. In contrast to Sadako's valiant, doomed struggle, Mieko's fictional experience is one of healing and renewed hope, expressed in the same quiet, economical prose. Since the stakes are not as high—Mieko is never in mortal danger—the story is less stirring. Still, this has its own message about the paradoxical fragility and resilience of the human spirit. Calligraphy by Cecil Yuehara not seen. (Fiction. 8- 11)
Pub Date: April 21, 1993
ISBN: 0-399-22434-3
Page Count: 78
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Eleanor Coerr & illustrated by Ed Young
by Julia Alvarez ‧ RELEASE DATE: Jan. 13, 2009
Though it lacks nuance, still a must-read.
Tyler is the son of generations of Vermont dairy farmers.
Mari is the Mexican-born daughter of undocumented migrant laborers whose mother has vanished in a perilous border crossing. When Tyler’s father is disabled in an accident, the only way the family can afford to keep the farm is by hiring Mari’s family. As Tyler and Mari’s friendship grows, the normal tensions of middle-school boy-girl friendships are complicated by philosophical and political truths. Tyler wonders how he can be a patriot while his family breaks the law. Mari worries about her vanished mother and lives in fear that she will be separated from her American-born sisters if la migra comes. Unashamedly didactic, Alvarez’s novel effectively complicates simple equivalencies between what’s illegal and what’s wrong. Mari’s experience is harrowing, with implied atrocities and immigration raids, but equally full of good people doing the best they can. The two children find hope despite the unhappily realistic conclusions to their troubles, in a story which sees the best in humanity alongside grim realities.
Though it lacks nuance, still a must-read. (Fiction. 9-11)Pub Date: Jan. 13, 2009
ISBN: 978-0-375-85838-3
Page Count: 240
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2008
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by Julia Alvarez ; illustrated by Raúl Colón
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by Julia Alvarez ; illustrated by Sabra Field
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by Paul Fleischman & illustrated by Judy Pedersen ‧ RELEASE DATE: May 11, 1997
Using the multiple voices that made Bull Run (1995) so absorbing, Fleischman takes readers to a modern inner-city neighborhood and a different sort of battle, as bit by bit the handful of lima beans an immigrant child plants in an empty lot blossoms into a community garden, tended by a notably diverse group of local residents. It's not an easy victory: Toughened by the experience of putting her children through public school, Leona spends several days relentlessly bulling her way into government offices to get the lot's trash hauled away; others address the lack of readily available water, as well as problems with vandals and midnight dumpers; and though decades of waging peace on a small scale have made Sam an expert diplomat, he's unable to prevent racial and ethnic borders from forming. Still, the garden becomes a place where wounds heal, friendships form, and seeds of change are sown. Readers won't gain any great appreciation for the art and science of gardening from this, but they may come away understanding that people can work side by side despite vastly different motives, attitudes, skills, and cultural backgrounds. It's a worthy idea, accompanied by Pedersen's chapter-heading black-and-white portraits, providing advance information about the participants' races and, here and there, ages. (Fiction. 9-11)
Pub Date: May 11, 1997
ISBN: 0-06-027471-9
Page Count: 69
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
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by Paul Fleischman ; illustrated by Hannah Salyer
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by Paul Fleischman ; illustrated by Melissa Sweet
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