FRONT PORCH STORIES AT THE ONE-ROOM SCHOOL

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FRONT PORCH STORIES AT THE ONE-ROOM SCHOOL

Name: FRONT PORCH STORIES AT THE ONE-ROOM SCHOOL
Author: Eleanora E. Tate
ISBN: 0-553-08384-8

by Eleanora E. Tate & illustrated by Eric Velasquez ‧ RELEASE DATE: Sept. 1, 1992

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Some of the lively characters in Just an Overnight Guest (1980) return in this celebration of storytelling and small-town life. Matthew J. Cornelius Carson falls into the mood one night, and his daughter Margie and niece Ethel sit entranced for hours, listening to his tales—about the giant shadow that chased Aunt Daisy the time she dared to do wash on Sunday; about laughing and working together at the old one-room Douglass School; about the time Great-Grandpa Wally came back from the grave, or the unforgettable day Eleanor Roosevelt came through town. Linking these incidents into a single, seamless narrative, Tate notes that all of them are based, at least loosely, on her own memories of growing up in Canton, Missouri. Like Margie and Ethel, readers may be moved to find comparable stories in their own lives. Illustrations not seen. (Fiction. 10-13)

Pub Date: Sept. 1, 1992

ISBN: 0-553-08384-8

Page Count: 112

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1992

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
CELESTE’S HARLEM RENAISSANCE
by Eleanora E. Tate

- BOOK REVIEW
DON'T SPLIT THE POLE
by Eleanora E. Tate & illustrated by Cornelius Van Wright & Ying-Hwa Hu

- BOOK REVIEW
A BLESSING IN DISGUISE
by Eleanora E. Tate

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A YEAR DOWN YONDER

From the Grandma Dowdel series , Vol. 2

by Richard Peck ‧ RELEASE DATE: Oct. 1, 2000

Year-round fun.

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Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”

This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”

Year-round fun. (Fiction. 11-13)

Pub Date: Oct. 1, 2000

ISBN: 978-0-8037-2518-8

Page Count: 144

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2000

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
THE BEST MAN
by Richard Peck

- BOOK REVIEW
THE MOUSE WITH THE QUESTION MARK TAIL
by Richard Peck ; illustrated by Kelly Murphy

- BOOK REVIEW
SECRETS AT SEA
by Richard Peck illustrated by Kelly Murphy

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THE SCHOOL STORY

by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: June 1, 2001

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A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)