by Elie Wiesel ‧ RELEASE DATE: Dec. 1, 1999
Wiesel tells us about his marriage to Marion (“for the first time, at age forty, I experience daily life with a woman”), his...
Nobel Prize-winner Wiesel (All Rivers Run to the Sea, 1996, etc.) concludes his memoirs in his characteristically engaging and conversational tone.
Wiesel tells us about his marriage to Marion (“for the first time, at age forty, I experience daily life with a woman”), his frequent meals with Golda Meir and Teddy Kolleck, and the birth of his son Elisha. We read about his exploits as human rights activist: a meeting in Paris to protest UNESCO’s policy towards Israel; a 1980 march for Cambodia; his efforts to get Abraham Sarfati, a Moroccan Jewish political prisoner, released; a trip to South Africa to witness apartheid; testimony before the Senate Foreign Relations Committee about ratifying the Genocide Treaty (“when I find out that Jesse Helms is chairing the session, my instinct is to turn around and head back to New York”). We follow Wiesel’s teaching exploits at City College, Boston University, and Yale. We accompany him on a speaking tour that takes him from Washington to Moscow, and we hear Lamentations read at a Tisha B’Av service in Warsaw. Of the conversations with famous folks Wiesel reports, the most interesting is his meeting with Jean-Marie Lustiger, the Jewish-born archbishop of Paris, who explains to Wiesel why he still considers himself a Jew, even as Wiesel explains to Lustiger why Jews find that position untenable. Finally, Wiesel attempts to come to grips with the suicides of three writers – Primo Levi, Jerzy Kosinski, and Piotr Rawicz. It is, to be sure, the memoir of a famous man, one who assumes his travels and conversations and stage fright are interesting simply because they are his. He is not always right – but the many times he is make the book worthwhile. (16 pages photos)Pub Date: Dec. 1, 1999
ISBN: 0-679-43917-X
Page Count: 384
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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by Elijah Wald ‧ RELEASE DATE: July 25, 2015
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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BOOK TO SCREEN
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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