To convey the truth of the holocaust in its totality...(the writer) must add as well the silence left behind by millions of unknowns...One cannot conceive of the holocaust except as a mystery, begotten by the dead." As in the novel, Beggar in Jerusalem (1969) and other works, Wiesel gropes in the lengthening shadows to understand — his own kind of death at Auschwitz and Buchenwald, the death of millions and all he had known, the meaning of individual and Jewish survival. Again his approach is deliberately scattered — fantastic dialogues with the dead and his own abstracted awarenesses; mythic appearances, real and apocryphal from camps, liberated Europe, Russia and Israel. And among the threads of Covenants sealed and broken, individual Jews restate a heritage: the prince-beggar riding forth to meet Death; an Israeli "atheist" commander who nonetheless felt "we were on our way to keep an appointment" in Jerusalem; defiant Jews dancing in Moscow streets. To be a Jew today, insists Wiesel, is to "testify. To bear witness to what is and what is no longer." He denounces young Jews (and Germans) who will not take account of the fact of yesterday's evils. ("Without Auschwitz there would have been no Hiroshima.") Wiesel's tales, lectures and commemorative griefs are moving, penetrating, often raspingly excessive — the result perhaps of attempting an honest stance before the inexplicable.
Pub Date: Nov. 16, 1970
ISBN: 0805207139
Page Count: 212
Publisher: Random House
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Nov. 1, 1970
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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