A slim novel that’s heavy on philosophy.
The latest from the Nobel Peace Prize–winning author of Night(1960) asks big questions about good and evil, art and reality, yet ultimately finds its narrator concluding, “Suddenly, I don’t understand anything anymore. Why life? Why death?”
The Jewish protagonist is a New York newspaper drama critic who finds himself in the unlikely position of covering a murder trial. (Both of the reporters on the court beat for the paper are conveniently unavailable.) The case is both simple and unfathomable. A 24-year-old philosophy student from Germany receives an unexpected visitor, an older German who introduces himself as the student’s uncle. They decide to go away for a week together in the Adirondacks. The student returns without the older man, whose dead body is later found, leading to the murder charge. Though some had heard the two argue, there is no motive, no weapon, no deeper understanding of their relationship. Was the death an act of murder, suicide or an accident? The defendant is no help, proclaiming himself (as a philosophy student would), “not guilty but not innocent.” The critic’s obsession with the case (which doesn’t really commence until a third of the way through the novel) upsets his theater-loving wife, but it leads to all sorts of grand pronouncements about the courtroom as theater as well as larger questions such as, “Was life a string of roles?” Long after the end of the trial, a meeting between the critic and the defendant resolves some mysteries, yet by that time other, related mysteries have arisen concerning the critic’s own identity. For no apparent reason, the first-person narrative occasionally shifts into the third person, as the protagonist ponders “the vague feeling that his life or the meaning of life had escaped him,” and asks, “Since I’m not the man I thought I knew, who am I?”
A slim novel that’s heavy on philosophy.Pub Date: Aug. 27, 2010
ISBN: 978-0-307-27220-1
Page Count: 192
Publisher: Knopf
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: May 15, 2010
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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