by Elif Shafak ‧ RELEASE DATE: March 31, 2015
With manufactured intrigues and lukewarm romance, plot is not Shafak’s strong point. What she offers is panoramic historical...
Following the life of an invented apprentice to the actual Ottoman Empire architect Sinan, Turkish novelist Shafak offers a liberal interpretation of Islam that's bound to create controversy, as her previous books have (Honor, 2013, etc.).
In 1540, Jahan, a 12-year-old runaway from Anatolia, arrives in Istanbul by ship with a baby white elephant he names Chota—“little”—a gift to Sultan Suleiman from Hindustan. The ship’s amoral British captain has forced Jahan, who knows nothing about elephants, to pretend to be Chota’s Indian trainer so he can steal valuables from the sultan's palace. Lonely Jahan loves Chota and quickly learns to take excellent care of him. Drawn to the elephant’s charms, the sultan’s young daughter, Mihrimah, begins visiting Chota’s barn. Soon, she and Jahan strike up a friendship that evolves into a chaste love that lasts through her marriage until her death. Far more complex and intriguing is Jahan’s relationship to the architect, Sinan, whose philosophy lies at the heart of the novel: “I work to honour the divine gift. Every artisan and artist enters into a covenant with the divine.” Sinan recognizes Jahan’s untapped abilities when he and Chota help build a bridge during one of Suleiman’s wars. Sinan arranges for Jahan’s education and makes him one of his four apprentices. As both apprentice to the sultan’s chief architect and trainer of the sultan’s prize elephant, Jahan observes the glory of the Ottoman Empire, the pageantry and brutality, over a span of almost 100 years. He experiences the plague, many wars, and the rise and fall of several sultans. Shafak acknowledges the harem system and slavery, but Jahan’s Istanbul is a cosmopolitan city made up of many nationalities and religions, all more or less getting along.
With manufactured intrigues and lukewarm romance, plot is not Shafak’s strong point. What she offers is panoramic historical fiction rich with facts, atmosphere and occasional whimsy.Pub Date: March 31, 2015
ISBN: 978-0-525-42797-1
Page Count: 432
Publisher: Viking
Review Posted Online: Jan. 7, 2015
Kirkus Reviews Issue: Jan. 15, 2015
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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