Oh for the days when life was a picnic on the beach: Hilderbrand sets the gold standard in escapist fiction.
A Nantucket-ization of the world’s most romantic adultery story.
Inspired by the 1978 movie Same Time, Next Year, Hilderbrand creates her own pair of annual secret lovers—Mallory Blessing and Jake McCloud. Mallory is a Baltimore girl, born and raised in Anne Tyler territory, who inherits a Nantucket beach cottage from her gay aunt. Jake is her brother Cooper’s best friend from his college days at Johns Hopkins. They first cross paths in 1993, when Mallory hosts Cooper’s bachelor party over Labor Day weekend…and the book’s title gives you a pretty good idea of the rest. When they meet, Jake is already the property of a glamorous but coldhearted powerhouse named Ursula DeGournsey—the two grew up together in South Bend, Indiana—who by the end of the book is a U.S. senator running for president. To get to 2020, Hilderbrand paves a lush path of nostalgia, introducing each year with a rundown of headlines, song lyrics, and pop-culture memories, and also slips in an astute commentary on marriage, showcasing various good ones and bad ones along the way. Come for the sailing, the sunsets, and the sweet romance, stay for the cold gin and tonics, the lobster dinners, and truly unparalleled picnics: “rare roast beef, Boursin, and arugula pinwheel sandwiches, chicken and potato sandwiches with celery and chives; a marinated cucumber salad from the Baltimore Junior League cookbook, and lemon bars with a coconut shortbread crust.” In her 25th novel, Hilderbrand gets everything right and leaves her ardent fans hungry for No. 26.
Oh for the days when life was a picnic on the beach: Hilderbrand sets the gold standard in escapist fiction.Pub Date: June 16, 2020
ISBN: 978-0-316-42004-4
Page Count: 432
Publisher: Little, Brown
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
PROFILES
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.
What would you do if you knew when you were going to die?
In the first page and a half of her latest page-turner, bestselling Australian author Moriarty introduces a large cast of fascinating characters, all seated on a flight to Sydney that’s delayed on the tarmac. There’s the “bespectacled hipster” with his arm in a cast; a very pregnant woman; a young mom with a screaming infant and a sweaty toddler; a bride and groom, still in their wedding clothes; a surly 6-year-old forced to miss a laser-tag party; a darling elderly couple; a chatty tourist pair; several others. No one even notices the woman who will later become a household name as the “Death Lady” until she hops up from her seat and begins to deliver predictions to each of them about the age they’ll be when they die and the cause of their deaths. Age 30, assault, for the hipster. Age 7, drowning, for the baby in arms. Age 43, workplace accident, for a 42-year-old civil engineer. Self-harm, age 28, for the lovely flight attendant, who is that day celebrating her 28th birthday. Over the next 126 chapters (some just a paragraph), you will get to know all these people, and their reactions to the news of their demise, very well. Best of all, you will get to know Cherry Lockwood, the Death Lady, and the life that brought her to this day. Is it true, as she repeatedly intones on the plane, that “fate won’t be fought”? Does this novel support the idea that clairvoyance is real? Does it find a means to logically dismiss the whole thing? Or is it some complex amalgam of these possibilities? Sorry, you won’t find that out here, and in fact not until you’ve turned all 500-plus pages. The story is a brilliant, charming, and invigorating illustration of its closing quote from Elisabeth Kübler-Ross (we’re not going to spill that either).
A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.Pub Date: Sept. 10, 2024
ISBN: 9780593798607
Page Count: 512
Publisher: Crown
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
PERSPECTIVES
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