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SILVER GIRL

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The wife of a notorious Ponzi schemer (think Ruth Madoff, but 20 years younger) hides out from aggrieved investors on Hilderbrand’s home turf, Nantucket.

Meredith Delinn is rescued from her Park Avenue penthouse in the middle of the night after a frantic phone call to her estranged childhood friend Connie. Her husband, Freddy Delinn, has been sentenced to 150 years in a federal penitentiary, and marshals are coming to seize the penthouse and everything in it. Connie, who, with her late husband, famed architect Wolf, had withdrawn their money from Delinn’s fund just in time (whence the estrangement), spirits Meredith off to her Nantucket beachfront retreat. Meredith’s not doing well; she’s even been blackballed by her hairdressers and forced to live without highlights. Investors who formerly hounded her to persuade Freddy to accept their money now howl for her immolation. Even in disguise, she can’t get a pedicure at a Nantucket salon without being called out by an outraged victim. The narrative unfolds from the alternating POVs of Meredith and Connie. While coping with current crises, both women reflect on how their adolescent years shaped the present. Besides her adored father, the most important person in Meredith’s teenage life was Toby, Connie’s charismatic brother, who broke her heart. Instead she married Freddy, her fellow Princetonian. The couple struggled whilst Freddy founded his first hedge fund, but suddenly their fortunes soared. (Too suddenly, Meredith belatedly reflects.) Connie, who grew up in the same Philadelphia Main Line milieu as Meredith, is consumed by grief and regret after Wolf’s death from cancer. Her daughter Ashlyn, whose lesbianism sits ill with Connie, hasn’t spoken to her since Wolf’s funeral. Soused on chardonnay, Connie almost scuttles her first chance at new romance. And Meredith is not so much an example of innocence wronged as passivity repaid. Although the timely premise titillates, the story soon degenerates into just another redemptive middle-aged reconciliation of past and present, complete with many bromidic meditations on the true nature of love. Beach-ready reading.  

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Pub Date: June 21, 2011

ISBN: 978-0-316-09966-0

Page Count: 416

Publisher: Reagan Arthur/Little, Brown

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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