by Elin Hilderbrand ‧ RELEASE DATE: Oct. 4, 2016
A series only works when the characters are worth following over the long haul, and Hilderbrand is a master, making for a...
In the last installment of the charming Winter Street trilogy, the Quinn family braces for the storm of the century.
Unlike the first two novels, which span just a few days over two consecutive Christmases at the Quinn's historic Nantucket inn, the finale covers much of a year and shifts the focus from patriarch Kelley Quinn to his four children. Youngest son Bart is still missing in action in Afghanistan—the light in his childhood room has remained on for the past 18 months. Eldest son Patrick is serving the last few months of a prison sentence for fraud, while his wife Jennifer's patrician life is crumbling thanks to prescription drugs. Kevin, the flaky middle son approaching middle age, is finally coming into his own with a successful beachside eatery and a blooming confidence—he's finally proposed to girlfriend Isabelle. Lastly, Ava is in the enviable position (or not, depending on her mood) of dating both carpenter Nathaniel and vice principal Scott. Adding to her romantic confusion, she meets Potter, a professor at Columbia, who offers her a vision of a life beyond the island. As the Quinn children finally iron out their lives, Kelley confronts the end of his own—his cancer, thought to be in remission, has moved to his brain, with increasingly debilitating results. All is brought to a frantic head on Christmas Eve, the date of Kevin and Isabelle's wedding, when an impending snowstorm strands the guests off-island. If this all seems a bit soapy, Hilderbrand's tight pacing and breezy tone keep the story from heavy-handedness. But be warned: when Bart's MIA status finds resolution, tears may be shed.
A series only works when the characters are worth following over the long haul, and Hilderbrand is a master, making for a satisfying conclusion to her Christmas at the Inn story.Pub Date: Oct. 4, 2016
ISBN: 9780316261173
Page Count: 256
Publisher: Little, Brown
Review Posted Online: July 3, 2016
Kirkus Reviews Issue: July 15, 2016
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by Elin Hilderbrand ‧ RELEASE DATE: June 19, 2018
Sink into this book like a hot, scented bath...a delicious, relaxing pleasure. And a clever whodunit at the same time.
A wedding on Nantucket is canceled when the bride finds her maid of honor floating facedown in the Atlantic on the morning of the big day.
One of the supporting characters in Hilderbrand's (Winter Solstice, 2017, etc.) 21st Nantucket novel is Greer Garrison, the mother of the groom and a well-known novelist. Unfortunately, in addition to all the other hell about to break loose in Greer's life, she's gone off her game. Early in the book, a disappointed reader wonders if "the esteemed mystery writer, who is always named in the same breath as Sue Grafton and Louise Penny, is coasting now, in her middle age." In fact, Greer's latest manuscript is about to be rejected and sent back for a complete rewrite, with a deadline of two weeks. But wanna know who's most definitely not coasting? Elin Hilderbrand. Readers can open her latest with complete confidence that it will deliver everything we expect: terrific clothes and food, smart humor, fun plot, Nantucket atmosphere, connections to the characters of preceding novels, and warmth in relationships evoked so beautifully it gets you right there. Example: a tiny moment between the chief of police and his wife. It's very late in the book, and he still hasn't figured out what the hell happened to poor Merritt Monaco, the Instagram influencer and publicist for the Wildlife Conservation Society. Even though it's dinner time, he has to leave the "cold blue cans of Cisco beer in his fridge” and get back to work. " ‘I hate murder investigations,’ [his wife] says, lifting her face for a kiss. ‘But I love you.’ " You will feel that just as powerfully as you believe that Celeste Otis, the bride-to-be, would rather be anywhere on Earth than on the beautiful isle of Nantucket, marrying the handsome, kind, and utterly smitten Benji Winbury. In fact, she had a fully packed bag with her at the crack of dawn when she found her best friend's body.
Sink into this book like a hot, scented bath...a delicious, relaxing pleasure. And a clever whodunit at the same time.Pub Date: June 19, 2018
ISBN: 978-0-316-37526-9
Page Count: 464
Publisher: Little, Brown
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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