A moving narrative about the complexity of belonging in two worlds.
A bonobo raised in a human household must navigate the confusing transition from her familiar world to life among her own species.
Schrefer crafts a narrative that probes questions about identity and belonging. His author’s note reveals the story’s foundation in real rehabilitation efforts, particularly the case of Mimi, a bonobo who spent her first 15 years in a human home before joining a sanctuary in the Democratic Republic of the Congo. Lulu’s dual nature—ape body, human upbringing—creates a cognitive dissonance she cannot articulate, but Ford’s illustrations powerfully express her feelings. His colored pencil and ink artwork employs a sun-drenched yellow-green palette that bathes domestic interiors and the jungle scenes in warm, welcoming light, visually suggesting continuity rather than opposition between Lulu’s two worlds. Ford varies his compositional approach across both environments, shifting between sweeping double-page spreads and focused vignettes that highlight telling details—Lulu using the toilet in her human home, wild bonobos climbing trees and eating fruit. Ford renders bonobo facial expressions with remarkable psychological acuity; Lulu’s wide-eyed dismay upon arriving at the sanctuary, her uncertain glances at the wild bonobos, and her reassuring smile when, later, she comforts a newcomer all convey complex emotional states. Schrefer’s matter-of-fact prose establishes normalcy before gently dismantling it, respecting young readers’ capacity to grasp cultural displacement. The tale’s honesty about Lulu’s struggle rings true.
A moving narrative about the complexity of belonging in two worlds. (Picture book. 4-8)Pub Date: Feb. 10, 2026
ISBN: 9780063205376
Page Count: 40
Publisher: Clarion/HarperCollins
Review Posted Online: Oct. 25, 2025
Kirkus Reviews Issue: Dec. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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