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THE DARKNESS OUTSIDE US

3, 2, 1…blastoff for mystery, adventure, and queer intergalactic bodice-ripping.

A privileged socialite and orphaned cadet unpack the true intention of their two-person mission to one of Saturn’s moons.

Ambrose Cusk of Fédération (think United States circa 2470) is the elegant, golden offspring of Alexander the Great’s DNA and an emotionally distant mother. Kodiak Celius of Dimokratía (think Russia) is a brawny orphan-turned-cadet. The two 17-year-olds are paired on a mission to find Ambrose’s long-lost sister, Minerva, who disappeared while attempting to colonize Titan. Her distress beacon has mysteriously been activated years later. The socially, physically, and emotionally opposite boys are slowly unified by their need to understand their fuzzy, pre-mission memories; to combat an omnipresent, self-serving OS (remember HAL from 2001: A Space Odyssey?); and to get to the bottom of why there’s a vacuum-sealed supply of their own cloned bodies hidden on the ship. This Groundhog Day–type loop features complex worldbuilding in terms of space, time, light, and sound. What’s not complex are base human wants and needs like manicotti, making out, and memories. Ambrose and Kodiak realize that mutual affection is a way to validate one’s existence; that human connection is essential even if you’re determined to be a loner; and that even with the same memories and experiences, our choices in love and life can be completely, wonderfully different if we have a chance to do them again. And again. And again. Main characters are implied White.

3, 2, 1…blastoff for mystery, adventure, and queer intergalactic bodice-ripping. (Science fiction. 14-18)

Pub Date: June 1, 2021

ISBN: 978-0-06-288828-0

Page Count: 416

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: March 30, 2021

Kirkus Reviews Issue: April 15, 2021

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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