Most readers will be charmed by this exploration of the divine, which is read best as an escape rather than a study tool.
An eclectic look at angels and saints.
Dispensing with any sort of introduction, Weinberger delves into the subject of angels by discussing how many might exist, according to bygone Christian and Jewish sources. This disarming beginning prepares readers for an entire book of intriguing material that seems to go nowhere in particular. Combining a historian’s level of scholarship with a mystic’s sense of ambiguity, the author crafts a fascinatingly quirky work about the beings of heaven and those humans who are closest to them. His discourse on angels, making up roughly the first half of the book, explores their characteristics and origins, the existence of demons and fallen angels, the role of guardian angels, and the orders of angels. The author makes liberal use of quotes and references from Scripture, apocryphal writings, and church sources from a variety of different eras. Among his questions: Do angels have memories? Can they take on human forms? Are they capable of deception? With poetic flair, he explains that “angels are the largely anonymous workers in the hive of heaven.” Due to that anonymity, he writes, believers have had to fill in many gaps. The case is different for the saints, whose stories are more familiar. Consequently, Weinberger’s treatment of saints is simply a series of minibiographies, ranging from one sentence to two or three pages. There is no order or apparent overarching purpose, and readers will wonder why the author chose the stories of the saints that he did. The thought-provoking artwork of ninth-century Frankish monk Hrabanus Maurus enhances the text, and the book also includes a guide to the illustrations written by scholar Mary Wellesley.
Most readers will be charmed by this exploration of the divine, which is read best as an escape rather than a study tool.Pub Date: Sept. 29, 2020
ISBN: 978-0-8112-2986-9
Page Count: 160
Publisher: New Directions
Review Posted Online: May 16, 2020
Kirkus Reviews Issue: July 15, 2020
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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