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MANUELITO

A blunt, effective record of the refugee crisis that’s wounding the Americas.

Fleeing from violence at home, 13-year-old Manuelito braves the journey through Mexico to the United States.

As the repercussions of war fade away, Manuelito’s Guatemalan village returns to normality. School resumes (even though Manuelito finds it tedious), and he finds plenty of time to play with friends, including Coco Loco. Suddenly, a new kind of war commences. Menacing, armed groups begin to disrupt village life: the PACs (Armed Civil Patrol); the maras, gangs of tattooed men; and government soldiers. To avoid gang recruitment or death, Manuelito’s parents send him off to Tía Adela, who resides in the U.S. Joined by Coco Loco, Manuelito arrives in Mexico following a river crossing only to fall prey to the Coyote. Setbacks bombard the young boy, but he eventually crosses the Río Bravo into the U.S., where he surrenders himself to Border Patrol as an asylum seeker. Just as Manuelito begins anew in the U.S., the arrival of U.S. Immigration and Customs Enforcement derails his life yet again. An undercurrent of tragic inevitability in the text lends urgency to Manuelito’s narration, which delineates the circumstances of his escape without wallowing in sentimentality. The author’s preference for universal appeal posits Manuelito as a symbol of child refugees; as a result, the novel loses that extra spark that would make this story more memorable. Meanwhile, the stark, colorless illustrations hint at grueling ordeals.

A blunt, effective record of the refugee crisis that’s wounding the Americas. (afterword) (Graphic novel. 12-15)

Pub Date: April 9, 2019

ISBN: 978-1-77321-266-1

Page Count: 104

Publisher: Annick Press

Review Posted Online: Jan. 13, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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THE GIRL OF FIRE AND THORNS

From the Girl of Fire and Thorns series , Vol. 1

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...

Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.

Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)

Pub Date: Sept. 1, 2011

ISBN: 978-0-06-202648-4

Page Count: 432

Publisher: Greenwillow Books

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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DEAD WEDNESDAY

Characters to love, quips to snort at, insights to ponder: typical Spinelli.

For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.

On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.

Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)

Pub Date: Aug. 3, 2021

ISBN: 978-0-593-30667-3

Page Count: 240

Publisher: Knopf

Review Posted Online: May 31, 2021

Kirkus Reviews Issue: June 15, 2021

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