A playful retelling of a classic folk tale, winningly illustrated.
What makes a gingerbread boy run amok the way he does?
One early morning Shirley can’t seem to find a dessert for her school lunch. Inspiration soon strikes. “I know! I’ll bake up something nice.” Once she takes her gingerbread treat out of the oven, she wickedly bites off a piece of his thumb. The gingerbread boy naturally doesn’t like having his digit chewed off. Hurt, he eats Shirley’s lunch as retaliation, and soon the little runaway is off through colorful San Francisco neighborhoods, snacking on anything he can get his hands on: plums and lollipops, dog bones and steaks. Kleven excels at framing her gingerbread boy’s rampage within kaleidoscope vistas. Each spread radiates vibrant, multicultural life (including a racially ambiguous, brown-skinned protagonist), and they are filled with curves, swivels, and diagonal lines to echo the gingerbread boy’s riotous behavior. At times, the story appears confined by the rhyming scheme, jamming in jarring elements (such as “a blouse, a tower, and a mouse”) to keep up appearances, but it also leads to some creative felicities. Fueled by his minor success so far, the gingerbread boy refuses to give in, exclaiming, “And if you try to make me stop, / I’ll swallow the sun like a butterscotch drop!” Only Shirley’s promise of friendship can help quiet his wounded heart.
A playful retelling of a classic folk tale, winningly illustrated. (recipe, landmark index) (Picture book. 4-8)Pub Date: Sept. 1, 2016
ISBN: 978-1-59714-352-3
Page Count: 40
Publisher: Heyday
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.
In Weaver’s charming picture book, a dog reassesses his not-so-glowing review of little kids.
“Families are OVERRATED!” as far as the bluish-gray hound named Dog is concerned. While he approves of the adults in the household, the four small children are for the birds. In an attempt to resolve his conflicted feelings, Dog pours his heart out to a therapist scribbling on a notepad. Dog lists his grievances via couplet rhymes: “And many times I’ve found their dirty toys INSIDE MY BOWL! / It’s obvious these little humans have no SELF-CONTROL!” With key words highlighted in colorful and bolded fonts for more emphasis, his voice now has added urgency. Soylu’s lively drawings in muted tones are wondrously effective in animating Dog; his hanging jowls, big eyes, and floppy ears all convey believably beleaguered expressions. Lifelike details enhance the dramatic effect of the children’s boisterous antics. At the end, Weaver provides a list of do’s and don’ts for interacting with pets. Dog lovers can identify the dog breed silhouettes on the endpapers. Kids will get a kick out of Dog’s opinion of humans and perhaps recognize some behaviors to reconsider.
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.Pub Date: July 16, 2024
ISBN: 9781736267370
Page Count: 40
Publisher: A Little Offbeat Publishing
Review Posted Online: April 26, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
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