by Elisabeth Åsbrink ; translated by Saskia Vogel ‧ RELEASE DATE: Jan. 21, 2020
Top-notch microcosmic World War II history and an excellent illustration of the immense power of the written word.
Swedish journalist Åsbrink (1947: Where Now Begins, 2018, etc.) offers new information about the founder of IKEA’s Nazi ties, but that is secondary to the engrossing tale of a young Jew in Sweden during World War II.
At first rejecting Otto Ullmann’s daughter’s request to write his story, the author found it as compelling as readers will. Eva Ullmann gave her an IKEA box filled with letters from Otto’s parents dating from 1939, when the 13-year-old was one of 100 children sent to Sweden. The program that enabled him to escape was part of the Swedish Israel Mission, led by Birger Pernow, a pastor who was devoted to converting the Jews and felt that his child relief program would be effective. The plan was to bring 100 children whose parents had good reputations. Otto embarked on Feb. 1, 1939, on the train to Sweden. At first, he and 21 children were taken to a children’s home in Tollarp, and it would be years before he was finally sent out as a farm hand and found friendship. The author then introduces IKEA founder Ingvar Kamprad, who grew up the son of a wealthy farmer whose family had immigrated some years before. Otto and Ingvar met and became friends even as Ingvar participated in Nazi causes. Åsbrink expertly exposes Sweden’s tendency toward Nazism at the time, with geographical proximity as well as threats pushing the inclination. Her book, she writes is “an account of Sweden before the country became a ‘good’ one.” Ingvar’s grandmother and father were both devoted Nazis and were thrilled when Hitler took over their former home in the Sudetenland. Meanwhile, Otto was a lost young boy trying to survive and learn a new language. His only support and encouragement came in the form of the more than 500 letters from his family, which the author seamlessly weaves into the narrative. Just as important were the letters they received (now lost) from their son, knowing he was safe.
Top-notch microcosmic World War II history and an excellent illustration of the immense power of the written word.Pub Date: Jan. 21, 2020
ISBN: 978-1-59051-917-2
Page Count: 320
Publisher: Other Press
Review Posted Online: Oct. 5, 2019
Kirkus Reviews Issue: Nov. 1, 2019
HISTORY | MODERN | HOLOCAUST | WORLD | GENERAL HISTORY
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by Elisabeth Åsbrink ; translated by Fiona Graham
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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by David Grann
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by David Grann
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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