While construction-equipment bedtime books have become a genre in and of themselves, there’s still room for one more...
You can lead a bulldozer to bed, but you can’t make him sleep.
Seemingly acquiescent, Little Bulldozer is ready to be put down for the night by his human mom and dad. But even after a bath and tooth-brushing, sleep eludes him. In a series of actions that will be familiar to caregivers everywhere, Little Bulldozer thumps around his room, reads a book (The Little Engine that Could) too loudly to himself, and even attempts a failed stealth mission down the stairs to see what his parents are up to. Only when he slips into his older sisters’ room (a steamroller and excavator, respectively) does sleep finally overtake the restless little machine. With its tiny human parents/enormous inhuman children dynamic, the book owes more than a passing nod to Jane Yolen and Mark Teague’s How Do Dinosaurs series. But if Broach’s tale is by no means original it nevertheless remains soothing in its familiarity. Done in pencil and Adobe Photoshop art, the accompanying illustrations are sweetly humorous. They even contain the occasional oddball detail, such as background family portraits showing ancestors with old-timey car heads. Jackson’s art also plays up the inherent ridiculous logistics of an inside bulldozer’s life, such as how he would act on a spring mattress or how caterpillar treads might tiptoe. Little Bulldozer’s parents have brown skin and black hair.
While construction-equipment bedtime books have become a genre in and of themselves, there’s still room for one more good-hearted tale of antsy, agitated equipment. (Picture book. 3-6)Pub Date: March 5, 2019
ISBN: 978-1-250-10928-6
Page Count: 40
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
While there are many rhyming truck books out there, this stands out for being a collection of poems.
Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.
Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.
While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-5078-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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