While construction-equipment bedtime books have become a genre in and of themselves, there’s still room for one more...
You can lead a bulldozer to bed, but you can’t make him sleep.
Seemingly acquiescent, Little Bulldozer is ready to be put down for the night by his human mom and dad. But even after a bath and tooth-brushing, sleep eludes him. In a series of actions that will be familiar to caregivers everywhere, Little Bulldozer thumps around his room, reads a book (The Little Engine that Could) too loudly to himself, and even attempts a failed stealth mission down the stairs to see what his parents are up to. Only when he slips into his older sisters’ room (a steamroller and excavator, respectively) does sleep finally overtake the restless little machine. With its tiny human parents/enormous inhuman children dynamic, the book owes more than a passing nod to Jane Yolen and Mark Teague’s How Do Dinosaurs series. But if Broach’s tale is by no means original it nevertheless remains soothing in its familiarity. Done in pencil and Adobe Photoshop art, the accompanying illustrations are sweetly humorous. They even contain the occasional oddball detail, such as background family portraits showing ancestors with old-timey car heads. Jackson’s art also plays up the inherent ridiculous logistics of an inside bulldozer’s life, such as how he would act on a spring mattress or how caterpillar treads might tiptoe. Little Bulldozer’s parents have brown skin and black hair.
While construction-equipment bedtime books have become a genre in and of themselves, there’s still room for one more good-hearted tale of antsy, agitated equipment. (Picture book. 3-6)Pub Date: March 5, 2019
ISBN: 978-1-250-10928-6
Page Count: 40
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
A tale of intergenerational bonding to be shared by grandparents and grandchildren.
In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.
Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.
A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)Pub Date: May 13, 2025
ISBN: 9781250393975
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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