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EVERYBODY!

YOU, ME & US

Emphasizing familiar, relatable scenarios, this funny, empathetic read is a kid magnet.

Gravel plumbs the many behaviors and states of mind that humans hold in common.

Employing several of her signatures—humor brimming with child appeal; puffy, hand-lettered–style type; and potato-shaped youngsters in a variety of colors—Gravel avows that while each human is unique, “we are more similar than we think.” The short, deceptively simple declaratives often manage to convey both poignancy and profundity. “EVERYBODY makes mistakes… // and everybody can learn from them.” “EVERYBODY wants friends… // and everybody can be a friend.” In the first instance, a biking child has crashed; the facing page shows them donning a helmet. In the second, a child stands apart as three peers play ball. The next image shows the threesome stopping to welcome the newcomer. Aware of young children’s delight in poop and fart jokes, Gravel includes both here. For “EVERYBODY goes to the bathroom,” she depicts a cat in a litter box and a kid on a toilet reading a copy of Gravel’s Not Me (2020). The text “EVERYBODY gets embarrassed” is accompanied by an image of a mortified kid passing a visible cloud of gas with a speech bubble labeled “Vruumpt!” The need for self-care, the inevitability of everyday struggles, and the importance of our hopes, dreams, and ideas—this slender volume tackles it all. (This book was reviewed digitally.)

Emphasizing familiar, relatable scenarios, this funny, empathetic read is a kid magnet. (Picture book. 3-8)

Pub Date: Oct. 4, 2022

ISBN: 978-1-338-83089-7

Page Count: 48

Publisher: Scholastic

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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