The host of “TED Talks Daily” and host at large for NPR shines a bright light into the shadowy world of manufactured beauty and endless “self-improvement.”
There is a Korean phrase, bbali bbali, which means fast, fast. Hu, a winner of the Edward R. Murrow Award, among others, believes it sums up South Korea’s rush into hypermodernity. When she arrived in Seoul in 2015 to establish a bureau for NPR, she was stunned by the cult of beauty that grips Korean women. The aim of Western cosmetics is often to accentuate natural features, but in South Korea, the goal is skin that seems so perfect it needs nothing else. The beauty industry in Korea relies on intensive research and marketing by the skin care firms, which provide a continuing procession of products. The author also looks at the massive business of cosmetic surgery, which can amend any part of the body. This is less about self-expression and more about an aspiration toward perfection: blemish-free skin, long, shining hair, a narrow nose, anime-size eyes, a delicate jawline, and legs shaped to meet a mathematical formula. It ultimately leads to a sameness of look, but Korean women see it as a necessary investment for social success, and the few who buck the trend face ostracism. Looking at this endless commodification of the female body, Hu asks: “Where do we draw the line on appearance work when the work gets less and less invasive and previously impossible changes become possible?” She also notes that some women, accustomed to the filtered images on Snapchat and Instagram, want to be “improved” to look like their digital images. These trends, exacerbated by social media and Korea’s export marketing machine, are having a global impact, including in the U.S. Hu is unsure about how these issues will play out, but she hopes that there will be a turn away from relentless superficiality. She is a capable guide to the current fraught landscape.
Hu’s study of Korea’s beauty cult is fascinating and disturbing, woven with threads of dark humor and personal experience.