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FALLING

A DAUGHTER, A FATHER, AND A JOURNEY BACK

A profoundly moving memoir.

The children’s book author shows masterful control in this memoir of a life careening beyond his control.

This is a sequel of sorts to Crawling: A Father’s First Year (2006), but it’s also a very different book. As Cooper writes of that book, “it’s short and upbeat, though there’s one sentence about not wanting to become the parent of a child with cancer that makes me suck in my breath.” In this short memoir, the author has become exactly what he didn’t want to be in that throwaway line. It starts with a “bump” on the first page, which Cooper happens to feel when his 4-year-old daughter is sitting on her father’s lap watching the Chicago Cubs at Wrigley Field. Two pages later, the bump that he might have been tempted to dismiss has been diagnosed as “a pediatric kidney cancer called Wilms’ tumor, a ‘good cancer,’ a funny pairing of words.” Two pages later, it is “stage three, which is not good.” Before the end of this chapter, the author has begun to “wonder if there are elements of this story that may get away from me.” He is right to wonder, for under this illusion of stylistic control lies a cauldron of powerful emotion that can erupt at any moment. And it does, to the author’s surprise at his own anger, which embarrasses him a little in retrospect and surprises readers, because the prose is so measured. But this is a book in which the subtlety of surface control sustains an exquisite tension with the turmoil beneath, as the author finds others “looking at a man who is a little unhinged.” His daughter is fine, for now, after surgery, radiation, chemotherapy, and periodic scans. The changes in her are mainly the ones any girl might experience from the ages of 4 to 8. But her father is transformed into a writer who must leave “an angry island” and reconcile the world’s horrors with its ineffable beauty.

A profoundly moving memoir. 

Pub Date: June 14, 2016

ISBN: 978-1-101-87123-2

Page Count: 160

Publisher: Pantheon

Review Posted Online: March 30, 2016

Kirkus Reviews Issue: April 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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