by Elissa Brent Weissman ‧ RELEASE DATE: May 20, 2025
A timely and provocative exploration of the impact of social media on teens, families, and society.
Tired of being used as content for their social media influencer mothers, two girls rebel.
Twelve-year-old Hadley recently moved from Brooklyn to Long Island, and she just wants everything at her new school to go smoothly, without anyone finding out about her momfluencer mother’s blog, PhoebeAndJay. She meets Willow, also 12, at a content creator’s convention, and they bond instantly: Both their mothers are obsessed with sharing their families’ lives online. The girls create a private Instagram account they call @WeAreNOT_Content, which becomes a safe haven where they post about the fake lives their mothers portray online and the stress that creates in their young lives. While Hadley falls in with popular girls in her new school and Willow struggles with her family overlooking things that matter to her, the tension builds for the tweens—until Hadley makes a rash decision that leads to chaos. Each family must forge a path that’s right for them: Will they respect each member’s fundamental integrity and not see them solely as sources of social media content? Alternating chapters narrated by each girl feature crisp dialogue and real emotion, bringing these two likable protagonists to life. Weissman presents her message in a balanced, clear-eyed, and thought-provoking way; readers will be rooting for Hadley and Willow, who read white, to find normality, peace, and connection.
A timely and provocative exploration of the impact of social media on teens, families, and society. (Fiction. 10-14)Pub Date: May 20, 2025
ISBN: 9780593857410
Page Count: 336
Publisher: Dial Books
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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by Elissa Brent Weissman ; illustrated by Omer Hoffmann
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Soman Chainani ; illustrated by Iacopo Bruno
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BOOK TO SCREEN
by Katherine Marsh ‧ RELEASE DATE: Aug. 7, 2018
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...
Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.
Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)Pub Date: Aug. 7, 2018
ISBN: 978-1-250-30757-6
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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