Brave, sharp, and powerful.
An illustrated poem that acknowledges prejudice and celebrates Black hair.
Award-winning author and poet Acevedo opens with an insult that will resonate with Black girls and women: “Some people tell me to ‘fix’ my hair.” Her powerful response comes at the very end: “You can’t fix what was never broken.” In between, many themes are explored, some of which apply to Black people broadly, while others specifically reference Dominican culture. Throughout, Pippins’ hand-drawn and digital illustrations showcase an incredible array of natural hairstyles and details, such as the image of a ship within the braided pattern of one character’s hair. Impressively, the poem goes beyond typical dialogues about Black hair, acknowledging Black people’s internalized racism that comes from beauty standards grounded in White supremacy. The poem highlights the reputation that Dominicans have for being able to “flatten the spring in any lock,” following that line with a powerful reframing. From there, Acevedo moves into discussing colorism—in particular, the prejudice against lighter-skinned people partnering with darker-skinned people—and more. Pippins’ bright, colorful, and evocative art covers full pages, lovingly portraying the all-Black cast with a diverse range of skin tones and hair textures. The text varies in size, seamlessly incorporated into the art. An incredible amount of reflection appears in this slim volume, making this a wonderful choice for group discussions.
Brave, sharp, and powerful. (Poetry. 12-adult)Pub Date: May 3, 2022
ISBN: 978-0-06-293194-8
Page Count: 48
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
SEEN & HEARD
A visceral window into a survivor’s childhood and a testament to the enduring influence of unconditional love.
As palliative for his beloved Abuela's worsening dementia, memoirist Ogle offers her a book of childhood recollections.
Cast in episodic rushes of free verse and paralleling events chronicled in Free Lunch (2019) and Punching Bag (2021), the poems take the author from age 4 until college in a mix of love notes to his devoted, hardworking, Mexican grandmother; gnawing memories of fights and racial and homophobic taunts at school as he gradually becomes aware of his sexuality; and bitter clashes with both his mother, described as a harsh, self-centered deadbeat with seemingly not one ounce of love to give or any other redeeming feature, and the distant White father who threw him out the instant he came out. Though overall the poems are less about the author’s grandmother than about his own angst and issues (with searing blasts of enmity reserved for his birthparents), a picture of a loving intergenerational relationship emerges, offering moments of shared times and supportive exchanges amid the raw tallies of beat downs at home, sudden moves to escape creditors, and screaming quarrels. “My memories of a wonderful woman are written in words and verses and fragments in this book,” he writes in a foreword, “unable to be unwritten. And if it is forgotten, it can always be read again.”
A visceral window into a survivor’s childhood and a testament to the enduring influence of unconditional love. (Verse memoir. 13-18)Pub Date: Sept. 6, 2022
ISBN: 978-1-324-01995-4
Page Count: 208
Publisher: Norton Young Readers
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
The symbolism of Mary and child coming to liberate the immigrants may be heavy-handed, and occasionally Hussein’s language...
The first novel in English from one of the most important writers in Urdu, an Indian-born author (The Weary Generations, 1999) virtually unknown in the West. That should change.
The story is narrated alternately by Amir, an illegal immigrant in Birmingham, and by his teenaged daughter Parvin, who, having come to England at five, is struggling between the traditional expectations of her father and her desire to enter into the life of her adopted country. Adding drama are the time-shifts between Amir’s first coming to Birmingham and the present, when he is a legal homeowner but nevertheless engaged in a running battle with his wife and children, who have little idea of his struggles to give them a new and better life. It’s a conflict that brings to mind such writers as Henry Roth and Roth’s vivid images of the Lower East Side, as well as V.S. Naipaul with his tales of Indian immigrants in the Caribbean. But, while Abdullah does not suffer from such comparisons, his novel is unique in its depiction of a particular kind of suffering in what most of us consider a civilized country. Unforgettable, for example, is Amir’s memory of living in a house with eight other Pakistanis and his description of their absolute terror at being discovered by the authorities. One of the men finds a lover named Mary, who gets pregnant and later becomes the catalyst for a violent struggle that will break up the group home and force Amir and the others out on their own. After much difficulty, Amir becomes a British citizen, gets a job at the post office, and buys his own home. His dreams are realized, yet he doesn’t do nearly so well with his wife, daughter or son, all in different ways rejecting their father and the life he has chosen for them.
The symbolism of Mary and child coming to liberate the immigrants may be heavy-handed, and occasionally Hussein’s language can be awkward. But altogether Émigré Journeys is a remarkable performance.Pub Date: Aug. 1, 2001
ISBN: 1-85242-638-1
Page Count: 250
Publisher: Serpent’s Tail
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2001
BOOK REVIEW
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